Seratones

Colorado Public Radio's OpenAir Presents

Seratones

Wesley Watkins Quintet, Quantum Creep

Saturday, 2/11

Doors: 8:00 pm / Show: 9:00 pm

$10.00 - $13.00

This event is 16 and over

All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.

Seratones
Get Gone, the potent debut album by the Shreveport, Louisiana natives in Seratones, makes a strong case that this little-known corner of the state is fertile ground, musically speaking. A.J. Haynes (vocals), Connor Davis (guitar), Adam Davis (bass) and Jesse Gabriel (drums) serve up a combination of Southern musicality, garage rock ferocity, and general badassery.

Haynes's powerful singing voice, first honed at Brownsville Baptist Church in Columbia, Louisiana at age 6, rings across every track. Davis's bass and Gabriel's playing propel every song with the grit, energy, and rawness of punk, the feeling of soul, and occasionally, a little jazz swing. The other Davis offers a clinic in guitar riffs, from swaggering blues to searing interstellar leads.

Recorded at Dial Back Sound studios in Mississippi, Get Gone is all live takes, a portrait of the Seratones in their element. Add the soul and swagger of a juke joint with the electricity coursing through a basement DIY show, and you'd begin to approach the experience of seeing this foursome live. The well-paced, multi-faceted set showcases a band dedicated to sonic exploration. "Don't Need It," which opens with a muscular swing and tight guitar lines, builds into a monster finish with a nasty corkscrew of a guitar line. "Sun," a brawny thrasher, courses with huge, raw voltage riffs. "Chandelier," a mid-tempo burner and vocal workout by Haynes, goes from croon to a crescendo that would shake any crystals hanging from the rafters.

Shared history in the city's music scene brought the Seratones together a few years ago. All four had played together with one or another in various local punk bands, bonding through all-ages basement shows, gigs at skate parks and BBQ joints, and late nights listening to jazz and blues records. In a city of multiple genres, no fixed musical identity and a flood of cover bands, these adventurous musicians carved out their own path, personifying the do-it-yourself ethos. The group was quickly recognized after forming, winning the Louisiana Music Prize in 2013.

"Shreveport is always shifting its identity," says Haynes. "You can do a lot of different things when it seems like every band is its own genre."

Seratones's music, created with collaborative songwriting and spontaneous creativity, is certainly their own, due perhaps in part to Shreveport's unique sonic geography. The city sits at a nexus roughly equidistant from Memphis soul, Mississippi Delta Blues, and New Orleans jazz, with Texas swing located just over the nearby state border. The band's sound draws from those touch points and more, ranging from Black Sabbath's Paranoid to Kind of Blue. They'll happily connect the dots between Ornette Coleman and Jello Biafra.

Seratones have different names for the amalgamation of styles found on their debut: Their own "expression of freedom," music that's "all about waking people up," a safe space to feel what you want. However you choose to describe it, Get Gone is unexpected and unbowed, a head-snapping showcase of the twin pillars of Southern music, restlessness and resourcefulness.

by Patrick Sisson
Quantum Creep
"...infectious power-pop... Quantum Creep is the straight forward jangle of The Kinks, Nick Lowe and The Soft Boys filtered through a shoestring recording budget and a musical history mired in playing in some of Denver's most Out bands. Quantum Creep is comprised of the remnants of Denver weirdo band/Rhinoceropolis denizens Lil' Slugger and Tome to the Weather Machine co-founder, Vitamins drummer Crawford Philleo on keys.

Quantum Creep play this kind of Brit influenced Power-Pop the way it was supposed to be listened to. The Buzzcocks or The VaporsPlaying out of a busted car speaker with the heater on full blast as you drive down your snowy suburban street imagining playing solo guitar in front of thousands of screaming teenage females. This is what happens when you never let go of that dream. Swag." -Ryan Hall
Venue Information:
Larimer Lounge
2721 Larimer St.
Denver, CO, 80205
http://www.larimerlounge.com/