Bleached w/ Special Guest

CPR OpenAir Presents

Bleached w/ Special Guest

Springtime Carnivore

Sunday, 8/27

Doors: 7:00 pm / Show: 8:00 pm

$15.00 - $17.00

This event is 16 and over

All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.

Bleached
"What I really resent most about people sticking labels on you is that it cuts off all the other elements of what you are because it can only deal with black and white..." Siouxie Sioux

I have been playing in bands since I was 16 years old. When we were 15, my sister Jessica and I started going to punk shows every weekend in LA to see the likes of the Adolescents, the Dickies, X, TSOL. We were obsessed with the Slits, Blondie, Siouxie and the Banshees. One weekend we went to see F Minus at the Glasshouse. It was during their set when Jessie and I decided to start a band. That week we learned to play guitar and have been playing punk music since. Currently I am the singer, one of the guitar players, and songwriter for Bleached, a punk band from the San Fernando Valley. We are releasing a new EP on March 3, 2016 titled Can You Deal? After 5 straight months of touring, there was an energy in our band playing together that we wanted to try and capture in the studio. We recorded these songs in a 3 week break from touring when we felt like we needed to keep moving. After spending months working on the last record, we wanted to go back to the process of recording quickly, capturing the energy we were experiencing on stage. Alex Newport produced and mixed them with us. The songs are raw. The recordings are too. Just how we wanted them.

Last year we released a full length album titled Welcome The Worms which was a deeply personal record. It was a record about being in and getting out of an emotionally abusive relationship. It was a record about getting spun out on drugs and alcohol. It was a record about totally losing myself in order to find myself. It was also our most ambitious body of work yet, with guitar work and guitar sounds and production we had only dreamed of until then. And yet to this day I am still fielding interview questions that have more to do with my gender than with the art I am creating. Somehow the conversation usually derails into some variation of the following question: "What is it like to be a girl in a rock band?" What does one want from this question? It is a lazy question, is it not? What does me being in a band have to do with my gender? The question is asked with a feigned surprise that women can play well, play loud, make records, and tour as if it has not been happening for years. There is a sense of novelty to a girl playing guitar and making rock music. There is an element of surprise that we are females and being interviewed about the music we make...as women.

Here is my answer to your question. Being girl in a band is no different than being a girl in any field. We have people consistently pointing out our gender as if it relates to our ability to do our job. Our gender is pointed out in nearly all coverage of what we do as if it was integral to understanding our band. Labeling me as a woman in a band just puts me in a box, and doesn't allow everything else I am to be seen and heard. My band is labeled as a "girl band" or a "female fronted" band. Why the necessity to differentiate? Is it a warning? Women have been playing rock music for decades. When does the novelty wear off? The labeling is reductive. And does not (and has not) done us any favors. When can my band simply be labeled as "a punk band"?

I create music and art because I need to. To express, to bond, to reconcile, and to connect. And to use my voice. To have it received with such a generic filter and off hand labeling is insulting. The title track to this EP, "Can You Deal?" is about this experience. "You know that it's me, Who Else Could I Be? Don't You See?"

Can You Deal? is for every girl out there who is sick of every male sound engineer telling them what they think is right for their set up. Can You Deal? is for every girl who has been told that "girl bands are in right now" by an A&R guy. Can You Deal? is for any girl mulling over press photos knowing their band will be picked apart before someone even listens to the music. Can You Deal? is for everyone who can stop referring to my band as "female fronted." It is for everyone who can stop feigning surprise every time a woman plugs in and plays well, or gets behind the drums, or has the sickest bass style. It is 2017. Can You Deal Yet? I look forward to speaking to you about the music.

-Jennifer Clavin, Bleached
Springtime Carnivore
You know the curious, almost out-of-body feeling you sometimes get when you wake up in the middle of the night, where everything seems a bit fuzzy and you’re not sure if maybe you’re still dreaming? It’s a state Greta Morgan perpetually revisited during the second half of 2015, when she was writing and recording the new Springtime Carnivore album, Midnight Room. “I was on a really jagged sleep schedule,” says the Los Angeles-based singer-songwriter, describing the months during which she worked on the follow-up to her critically adored 2014 debut. “It was the first time I’d ever lived by myself, and there was this bizarre feeling at night of the house being so quiet and being so totally alone. And Midnight Room came out of that.”

Earlier in the year, Morgan went through one of those break-ups that completely topples your world. Though it was as amicable as those things can be, the twenty-eight year-old musician felt shattered. She began working on songs for Midnight Room during those strange waking interludes last summer, finding an abundance of beautiful melodies in the melancholy ether. “A lot of lyrics on the record are collaged or don’t necessarily make sense next to each other,” she says. “But I guess my whole headspace was like that for a few months. I felt like I couldn’t trust my memory completely -- like I was space cadeting through the weird space between sleeping and dreaming and waking and reality.”

The melodies came easily, but the words were initially harder to find. So she tried a new approach for Midnight Room’s lyrics, inspired by her own disjointed thinking during those months. When an intriguing phrase or evocative image occurred to her, she wrote it down on a piece of index card. Sitting with the dozens of scraps on the floor in front of her, Morgan would rearrange the fragments until she found a way to make sense of it all. “A lot of the themes are, like, ‘How do you lovingly change a relationship?,’” she says. “How do you say good-bye to someone in a certain way and still keep him or her in your life? I feel like I was asking a lot of questions during the making of the record that I still don’t really have answers to, but at least some of the songs were exploring that territory.”

In the interest of achieving a more cohesive sound for Midnight Room, Morgan reached out to producer Chris Coady, whose work with Future Islands, Beach House and The Orwells she’d admired. “To me, Chris’s greatest gift as a producer is creating a sonic palette for an album that really brings their songs to life,” she says. “I wanted the whole thing to feel like you’re looking through a cobalt blue glass, and to get textures that almost feel like being able to see stars in the sky. I wanted it to have this very velvety midnight blue purity to the sound, and I feel like the synthesizers that we used and a lot of the guitar tones we used evoked that kind of visual texture.”
Venue Information:
Larimer Lounge
2721 Larimer St.
Denver, CO, 80205
http://www.larimerlounge.com/