Ben Miller Band

Larimer Lounge Presents

Ben Miller Band

Reno Divorce, Augustus

Thursday, 11/30

Doors: 8:00 pm / Show: 9:00 pm

$12.00 - $15.00

This event is 16 and over

All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.

Ben Miller Band
"I like the idea of saying something very complicated in a very simple way," says Ben Miller, discussing the trio that bears his name. "That's what we strive for musically, and what I strive for lyrically—to get directly to the point and save the flowery b.s. for the romantic poets. John Sargent, the painter, said 'That which is not necessary is detrimental,' and we try to live by that." Since its formation in 2004, the Ben Miller Band has staked out a singular niche that's established the Joplin, Missouri threesome as both a potent creative force and a perennial fan favorite. Any Way, Shape or Form, the BMB's New West debut release, showcases the seasoned threesome's fierce creative spirit and infectious performing chemistry, as well as Miller's melodically catchy, lyrically resonant songwriting.
On Any Way, Shape or Form, the Ben Miller Band channels a century's worth of wide-ranging influences into 13 new songs that radiate with energy, smarts and soul. The result is music that's wholly contemporary, while ringing with ages-old echoes of bluegrass, delta blues, Appalachian mountain music
and more. A stew they lovingly call “ozark stomp.”
Miller writes roots-rocking barnburners ("The Outsider," "Burning Building"), thoughtful ballads ("I Feel for You," "Prettiest Girl") and left-field departures ("23 Skidoo") with melodic skill and lyrical insight, and the band elucidates them with urgency and eloquence. While those tunes show off Miller's songwriting craftsmanship, a memorable workout on the traditional "The Cuckoo" underlines the band's interpretive abilities.
The hard working threesome has already won a substantial—and still-growing—grassroots fan base through old-fashioned ingenuity and an unstinting work ethic. Their D.I.Y. success helped to win the band its current deal with New West, and led to some high profile touring with ZZ Top, thanks to the enthusiastic patronage of avowed fan Billy Gibbons. Opening for ZZ Top on a 2013 tour of Europe, the
humble BMB wowed unfamiliar crowds on stages in large halls and arenas, including a triumphant set at the fabled Montreaux Jazz Festival.
The Ben Miller Band's homespun, self-reliant approach extends to the lo-tech, and largely self-built, instruments that the members play on stage and in the studio, e.g. singer-songwriter Miller's thrift-shop
guitars and banjos, bassist Scott Leeper's one-string washtub bass – comprised of a weedeater string attached to a wooden pole – and Doug Dicharry's varied arsenal: trombone, trumpet, mandolin, electric washboard and electric spoons.
The band's use of offbeat instrumentation, however, shouldn't be misunderstood as a gimmick. Instead, the three bandmates have mastered the technical challenges of their unconventional axes to produce a uniquely evocative ensemble sound that offers a compelling frame for Miller's compositions.
"What I really care about is songs, and the rest of it is just a vehicle to get you to that destination," Miller asserts, adding, "Just because we use junk to make music doesn't mean we aren't serious about it."
"Our sound," Dicharry notes, "is something that we never thought much about. It's just something that kept growing without us really trying, and at some point we realized it sounded pretty cool."
"The instruments that we use ," Miller explains, "were originally born out of necessity, because we didn't have any money. People would give us their old gear that didn't work anymore, and we'd wire things together and try things out in different permutations and see where it led us. Through a lot of trial and
error, we arrived at the set up that we've got now. Blazing your own trail through the jungle can take a lot of extra time and effort, but it gives you a chance to end up in a place that nobody's been to before."
That sense of musical adventure has long driven Miller and this bandmates from the start. Growing up in rural Curlew, Washington, Miller began playing guitar at 16, turning his back on a promising career as a visual artist to pursue his passion for music. He gained experience busking and performing in open mic
nights while roadtripping around America, and during an extended stint in Eastern Europe.
Miller eventually found kindred spirits in bassist Scott Leeper, who'd been playing since the age of seven and had performed with his family's band, in a duo with his brother, as a one-man country act and in a variety of blues combos; and Doug Dicharry, a musical omnivore and multi-instrumentalist, who can play
nearly any instrument and has played in a wide array of projects from noise bands to ska and rock.
The three like-minded players joined forces, and soon their diligent touring regimen allowed them to conquer an ever-widening geographical base and win a loyal live audience. In 2012, the Ben Miller Band took its first tentative steps in the recording studio, resulting in the embryonic self-released CD Heavy Load, which attracted a good deal of fan praise and critical acclaim despite its humble origins.
The same maverick spirit that motivated the BMB's early musical adventures came into play in the recording Any Way, Shape or Form, which they cut with seasoned producer Vance Powell, who's renowned for his studio work with the likes of Jack White, Buddy Guy, Wanda Jackson, Willie Nelson and Kings of Leon.
"Our original plan," Leeper notes, "was to scale it down a bit, and have it be even less produced than the first one. It came out sounding like us, which is all we really want."
"It was the first time we'd really had a producer/engineer," Dicharry notes, adding "It felt like we could finally breathe, because Vance was on top of things and got some really cool textures. We had a lot of confidence in him, so we were comfortable just going in and laying it down."
"We wanted to keep it as live as possible," Miller asserts, "so we recorded it live and did lots of takes, on average around thirty takes before we felt we really nailed it down. That was important to us because we’ve been a live band for our whole career and we wanted that to come across in the recordings, that
feeling of guys playing in a space together. We worked long days in the studio for about a month, just playing the songs over and over and working to push our performances and maintain the energy of what
we do.”
With Any Way, Shape or Form encapsulating the Ben Miller Band's salient qualities, the three intrepid bandmates are eager to hit the road and bring their new songs to live crowds around the nation and around
the world.
"Our plan," Leeper says, "is to just get out there and play for as many people as we can. That's pretty much been our plan all along, and it's worked for us so far."
"The title Any Way, Shape or Form is sort of our way of saying that by any means necessary we will make the music that makes sense to us,” Miller explains. “That’s always been our attitude, and that’s how we’ve gotten to where we are and how we will get to where we are going.”
Reno Divorce
Reno Divorce
With equal parts of Orange County punk, honky tonk country, and rockabilly sensibilities, Reno Divorce strikes a unique chord of their own in a diluted genre of what passes as "Punk rock'n'roll". Throw in well-crafted and deftly executed songs that straddle the line between Smithereens and Social Distortion, and you've got a band that truly stands out amongst the herd. Oh, and there's one more thing….this aint the boys' first rodeo…they've played with almost all their punk hereos (ALL, Social D, TSOL, Adolescents, Agent Orange, Shattered Faith, X, The Blasters, Motorhead), and shared a tour bus with more contemporary heavy hitters, ala U.S. Bombs, The Bones, and Street Dogs. They've worked with the cream of the crop behind the scenes, as well. Their last record, "Tears Before Breakfast" was produced by Jason Livermore at the world famous Blasting Room and the support tours for that album were handled by M.A.D. Booking in Europe, where among other great festivals, they graced the Saturday Night Fever Stage at With Full Force. Always captivating live, and wrought with more hooks than your uncle Bob's tackle box, Reno Divorce has carved out a reputation as the real nitty gritty, a true "musician's band" that pushes the envelope with every release, without sounding contrived or formulated. Brent Loveday's adept songwriting and clever storytelling are brought to life by the bands expert musicianship. With Brent Loveday on lead guitar and vocals, Tim Jadowski on bass, Tye Battistella on Rhythm guitar and Ruben Patino the band fires on all cylinders. backed by a band that fires on all cylinders. Reno Divorce has earned honors in Kerrang, Metal Hammer, Loud Fast Rules, and (more importantly to the band) the respect of their peers.
Augustus
Harvested from the most significant American musical movements and rooted in truly good songwriting, the distinct Boulder based 4pc rock group Augustus is taking Colorado by storm. Formed in late 2013, Augustus released their debut EP, "The Common Collapse", to critical and commercial success and has been building a steady following due to their extensive gigging and captivating live shows.

In 2015, the trio released their second EP, 'Into Frames' which was called "Colorado’s strongest psych-rock/mashup album of 2015." by Colorado Music Buzz. It debuted on over 50 different college radio stations across the US and Canada. Their hit song ‘Return’ was ranked #9 on the Troubadour’s Road top 25 songs of 2015 and the album has been licensed for use by MTV, E! channel, and the Discovery channel.

The band kicked off 2016 with high profile festival appearances in Denver, Boulder, and Fort Collins, and has begun playing festivals in surrounding states. Released in October 2016, Augustus' 3rd album, 'The Mercury EP' marks a turning point for the band. Marquee Magazine said "It’s the perfect example of the group’s ability to take their multi-faceted sound and put forth something that no longer sounds like a blending of styles, but rather a succinct, continuous sound of their own." The album has again been licensed by major networks including AE, MTV, and the Discovery channel.

Augustus recently signed with Rocky Mountain Artist group and is heavily touring through the Rocky Mountain region and Pacific Northwest.
Venue Information:
Larimer Lounge
2721 Larimer St.
Denver, CO, 80205
http://www.larimerlounge.com/