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Wed Sep 17 |
DEBAUCHERY TOMORROW
with WENDY CLARK BAND, CRIMSON CROWS, MIKE CANO'S MUSHROOM FUNK
Thu Sep 18 |
RED BULL SOUND SELECT PRESENTS: DENVER featuring AUSTRA (FREE w/ RSVP)
with SHADY ELDERS, EROS & THE ESCHATON
Thu Sep 18 |
HAPPY HOUR BINGO - Win tix to Lykke Li, Foxygen, War on Drugs + more!
Fri Sep 19 |
THE GREAT GRIGSBY
with TRAVELLERS MUSIC, FO CHIEF, DENT, MC BIG HOUSE, GENERAL LIFE
Sat Sep 20 |
THE WHIGS
with MOSEY WEST, DISGRACE THE TRAITOR
Sun Sep 21 |
BRONCOS SUNDAY
with FREE SHOTS EVERY TIME THE BRONCOS SCORE!
Tue Sep 23 |
YOUNG RISING SONS
with TOMMY FREED & THE SOUND, OKO TYGRA
Wed Sep 24 |
MIKE WATT
with THE POLLUTION
Thu Sep 25 |
GLASS ANIMALS
with ROME FORTUNE
Fri Sep 26 |
JESSE R.S.
with THE BELL HOURS, BEES WITH GUNS
Sat Sep 27 |
CASEY JAMES PRESTWOOD & THE BURNING ANGELS
with MILE HIGH EXPRESS, IDLEWHILE
Sun Sep 28 |
AGENT ORANGE
with IN THE WHALE, CODENAME : CARTER
Sun Sep 28 |
1400 MILES BLOCK PARTY
with ROWDY SHADEHOUSE, THE OTHER BLACK, ROSSONIAN, WOODSHED RED
Mon Sep 29 |
THE ELECTRIC SONS
with BESTFRIENDS, VOLITILLES
Tue Sep 30 |
KOPECKY FAMILY BAND
with AVID DANCER
Wed Oct 1 |
EARTH
with KING DUDE
Thu Oct 2 |
BEACH FOSSILS
with HEAVENLY BEAT, AXXA/ABRAXAS
Fri Oct 3 |
THE SOUND & COLOR
with KERRY PASTINE & THE CRIME SCENE, FAIRWATER
Sat Oct 4 |
THE GIRAFFES
with BRONZE, RANDY CONRAD OLINGER, CIRCLE NUMBER DOT
Sun Oct 5 |
KALIN AND MYLES
with RYAN BEATTY
Tue Oct 7 |
BAHAMAS
with BASIA BULAT
Wed Oct 8 |
WILD PARTY
Sat Oct 11 |
WALK THE MOON
Tue Oct 14 |
ASGEIR
with LOW ROAR
Wed Oct 15 |
SONREAL
Fri Oct 17 |
HONEYHONEY
Sat Oct 18 |
THE PREATURES
Mon Oct 20 |
TURQUOISE JEEP
with YIP DECEIVER
Tue Oct 21 |
BRONCHO
with LOW LITAS, NED GARTHE EXPLOSION
Sat Oct 25 |
CON BRO CHILL
Mon Oct 27 |
RUN RIVER NORTH
Tue Oct 28 |
AVI BUFFALO
Fri Oct 31 |
SECRET CHIEFS 3
with ATOMIC APE
Tue Nov 4 |
BEAR HANDS
with FENCES
Fri Nov 7 |
STREETS OF LAREDO
Sat Nov 8 |
JUDAH & THE LION
with LITTLE CHIEF, PHILLIP MARK
Mon Nov 10 |
SOHN
with WET
Fri Nov 21 |
J MASCIS (NIGHT ONE)
with LULUC
Sat Nov 22 |
J MASCIS (NIGHT TWO)
with LULUC
Sun Nov 23 |
SALLIE FORD
Tue Dec 2 |
MY BRIGHTEST DIAMOND
Sat Dec 6 |
COLLEGE

Wed Mar 27 | Radio 1190 Presents | Sold Out

WAVVES  

FIDLAR
CHEATAHS

Doors open at 8pm   |   Show starts at 9pm   |   Sold Out | 16+



Straight from the dungeons of L.A., Wavves are releasing Afraid Of Heights, their fourth album and first on the Mom And Pop label. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly professional than ever on Afraid Of Heights that positions the band to take their rightful place amongst the pop-punk gods.You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest and downright catchy albums of recent memory. Those two records (the eponymous Wavves the eponyymous Wavvves) were winningly, messily chaotic—grand on a small scale, but not necessarily world-beaters. Which is why when Williams, then solo, linked up with erstwhile Jay Reatard sidemen Stephen Pope (bass) and Billy Hayes (drums) and busted the door down with the stunner that was King Of The Beach, a pop-punk blackout for the DeLonge and Deleuze crowd. After the smoke of King Of The Beach had cleared, Williams and Pope released the Life Sux EP, a testament to the crushing powers of rock n' roll and also ennui. The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision—it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, "In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be."

 

Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers ("Sail To The Sun"), relationships ("Dog") and killing cops ("Cop"). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, "The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record—questioning everything not because I'm curious, but because I'm paranoid." That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey "Afraid Of Heights," or the string-aided "I Can't Dream," which rounds the record out with the optimistic, "I can finally sleep," before subverting itself with, "But I can't dream." With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.

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