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Fri Oct 31 |
SECRET CHIEFS 3
with ATOMIC APE
Sat Nov 1 |
SAFE BOATING IS NO ACCIDENT
with HOOPER, MOON HANGER, RADICAL ACTION
Sun Nov 2 |
I AM THE ALBATROSS
with DISGUISE THE SILENCE, THEY CALL ME HERO, STRANGE GIRL
Sun Nov 2 |
BRONCOS VS. PATRIOTS
Tue Nov 4 |
BEAR HANDS
with FENCES
Wed Nov 5 |
MEET THE GIANT
with WANDERING NATIVES, BURCHAM
Thu Nov 6 |
IMAGINARY POINTS
with MODUS AUDIO, THE COUCHBOMBS, MATCHETTE
Fri Nov 7 |
STREETS OF LAREDO
with LINE & CIRCLE, STRAWBERRY RUNNERS
Sat Nov 8 |
JUDAH & THE LION
with LITTLE CHIEF, PHILLIP MARK
Sun Nov 9 |
BRONCOS VS. RAIDERS
Mon Nov 10 |
SOHN
with WET
Tue Nov 11 |
MELANIE MARTINEZ
with MIKE SQULLANTE
Wed Nov 12 |
PURLING HISS
with MALE BLONDING, TYTO ALBA
Thu Nov 13 |
FIFTH VEIL
with MURDER THE CAT, DYKOTOMY, SIGNS & SIGNALS
Fri Nov 14 |
VETTA STAR EP RELEASE
with RUMOURS FOLLOW, MONROE MONROE, TYLER GLASGOW
Sat Nov 15 |
BIRCH STREET
Sun Nov 16 |
BRONCOS VS. RAMS
Thu Nov 20 |
NEULORE
with THE GHOST OF JOSEPH BUCK, VATICAN VAMPS
Fri Nov 21 |
J MASCIS (NIGHT ONE)
with LULUC
Sat Nov 22 |
J MASCIS (NIGHT TWO)
with LULUC
Sun Nov 23 |
BRONCOS VS. DOLPHINS
Sun Nov 23 |
SALLIE FORD
with JOBLESS
Tue Nov 25 |
MINI MANSIONS
with THE OUTFIT, FLUORESCENT PHOBIA
Sun Nov 30 |
BRONCOS VS. CHIEFS
Tue Dec 2 |
MY BRIGHTEST DIAMOND
with CRYSTAL GHOST
Wed Dec 3 |
ROADKILL GHOST CHOIR
with THE YAWPERS, VON STOMPER
Fri Dec 5 |
RESIDUAL KID'S ABOMINABLE SNOW JAM
with BUD BRONSON & THE GOOD TIMERS, NED GARTHE EXPLOSION, SPEED WOBBLE
Sat Dec 6 |
COLLEGE
with TRUE LUST, CACHEFLOWE
Sun Dec 7 |
BRONCOS VS. BILLS
Sun Dec 7 |
THE BALLROOM THIEVES
Fri Dec 12 |
SHADY ELDERS (ALBUM RELEASE)
with PLUM, MALE BLONDING
Sun Dec 14 |
BRONCOS VS. CHARGERS
Thu Dec 18 |
HAERTS
Fri Dec 19 |
WILD HIGH ALBUM RELEASE
Sat Dec 20 |
THE GREAT GRIGSBY
Sun Dec 21 |
NICK THOMAS (The Spill Canvas)
with JESSE R.S.
Mon Dec 22 |
BRONCOS VS. BENGALS
Sun Dec 28 |
BRONCOS VS. RAIDERS
Fri Jan 23 |
JUKEBOX THE GHOST
with TWIN FORKS

Wed Sep 26 | Larimer Lounge Presents...

NICK WATERHOUSE  

ALLAH-LAS
MILE HIGH SOUL CLUB DJ'S

Doors open at 8pm   |   Show starts at 9pm   |   $12.00 In Adv | $15.00 Day Of Show





Nick Waterhouse is the New Breed – An R&B fanatic who combines an uncanny old-school sensibility with a charged, contemporary style. At just 25, He joins the ranks of a growing cabale of similar acts and producers of recent times – Mark Ronson, Mayer Hawthorne, the Daptone Crew et al – that are all moving forward into the past, yet all quite different. For Waterhouse, his muse is the over-modulated sound of vintage R&B, and his take on such a time-honored tradition evokes the back-alley thrill of New Orleans, Detroit and Memphis in their heyday. He combines an astute attention to detail with an honest desire to match the emotional impact of the music that inspires him.

When asked to pinpoint the sound or style he strives for, Nick Waterhouse simply shrugs and responds, “American music. And I know that’s pretty general, but it is what it is. I have spent so much of my life immersed in this stuff, because I wanted to figure it out, [yet] all I figured out was that there was no plan.” In other words, whatever musical style Nick may choose to espouse, it’s not done because someone else did it, but done for the same reason someone else did it. “To me, [the music I play] is not a ‘type’ of music,” he emphasizes; “it IS music. The records I listen to ARE music. A record is a moment in time, and something recorded in 1955 is the same as something recorded in 2010.” Growing up in the Southern California, Waterhouse eschewed his surroundings and found emotional authenticity in the vintage wax of Ray Charles, Roy Head, Little Willie John and the whole panoply of American music, where feel so often trumps technique. After the sold out release of his own self-produced 45, the raunchy ‘Some Place’, and a string of exciting shows with his live group The Tarots, Nick went to work on his forthcoming full-length for Innovative Leisure – continuing an undeniably raw and rhythmic take on American music.

His approach to production – entirely vintage analog equipment, open-reel tape machines, lacquer cutting machines, and even hand letter-pressed labels – has left a few fans wondering where and when he comes from; Long-lost deadstock Rhythm & Blues artifact? White or Black? New or old? It’s a fitting recall to the days of early Rock & Roll, when rhythms crossed the tracks and no-one was quite sure WHAT or WHO this music was. As LA Record bears witness, “You’ve gotta be one kind of maniac to produce like this, and a whole other kind to shout like this, and an even more frightening kind to make the first two maniacs work together. Nick pulling this all off simultaneously means preternatural powers in play”

NICK WATERHOUSE IN THE PRESS!!

 

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