CALENDAR   |   DIRECTIONS   |   CONTACT   |   HAPPY HOUR   |   BOOKING   |   PAST ARTISTS   |   RENTALS


Mon Mar 2 |
EDDIE SPAGHETTI
with JIM DALTON (OF RAILBENDERS)
Wed Mar 4 |
KAWEHI
with ZOYA
Thu Mar 5 |
HAPPY HOUR BINGO - Win tix to Misterwives, Father John Misty, Stars, The Preatures + more!
Thu Mar 5 |
RED BULL SOUND SELECT PRESENTS: DENVER
with TOKIMONSTA, ANDERSON .PAAK & THE FREE NATIONALS, CRL CRRLL, FAST4WARD
Fri Mar 6 |
DAVID COOK
with AMZY
Sat Mar 7 |
MOON HOOCH
with CRYSTAL GHOST, TODAY'S PARAMOUNT
Tue Mar 10 |
GINNY & THE BRIDGE BURNERS
with TOO MANY HUMANS, SPLIT OR STEAL
Wed Mar 11 |
SPACE SUITS FOR INDIANS
with DRUNKIN' RELATIVES, SEE YOU HOME WOLF, THE HOLLOW HEARTED
Thu Mar 12 |
HAPPY HOUR BINGO - Win tix to Pennywise, Bad Religion, Hawthorne Heights + more!
Thu Mar 12 |
BARK WILSON
with ANCIENT ELK, JOSH MOOREHEAD & THE GUESTLIST, THE BELL HOURS
Fri Mar 13 |
LIL DICKY
Sat Mar 14 |
CORNMEAL
with CORAL CREEK
Wed Mar 18 |
RACE TO NEPTUNE
with WE WERE COSMONAUTS, AMERICAN GRANDMA
Fri Mar 20 |
PLUM (SINGLE RELEASE)
with WILD HIGH, THROUGH THE MOUNTAIN
Mon Mar 23 |
GEOGRAPHER
with WILD ONES
Tue Mar 24 |
VIET CONG
with WHAT MOON THINGS
Wed Mar 25 |
PUBLIC SERVICE BROADCASTING
Thu Mar 26 |
SEGO
Fri Mar 27 |
FLAMINGOSIS
with DREAMGHOST, CROWNS, BOLLYWOOD LIFE
Sat Mar 28 |
BREACH & BELLOW
Mon Mar 30 |
NAIVE MELODIES
with THE WORKSHY
Tue Mar 31 |
THE LAST BISON
with NEULORE, TALLGRASS
Wed Apr 1 |
DISAPPEARS
with EMERALD SIAM, PALE SUN
Thu Apr 2 |
OH HONEY
with PUBLIC
Fri Apr 3 |
EDISON
with ROB DRABKIN, SCIENCE PARTNER, MAXWELL HUGHES (formerly of The Lumineers), CRL CRRLL (DJ SET)
Sat Apr 4 |
HAWTHORNE HEIGHTS
with COURAGE MY LOVE, MARK ROSE, SHANE HENDERSON, DAYSEEKER
Sun Apr 5 |
LIEUTENANT (Nate Mendel of Foo Fighters)
with YUKON BLONDE
Wed Apr 8 |
MONOPHONICS
Thu Apr 9 |
DENGUE FEVER
with FREAKY NORTH
Mon Apr 13 |
DEAP VALLY
with BUD BRONSON & THE GOOD TIMERS, LA WITCHES, THE VELVETEERS
Fri Apr 17 |
REPTAR
Sat Apr 18 |
KODAK TO GRAPH
with BIG WILD, OBESON
Wed Apr 22 |
SHY GIRLS
with YOUNG EJECTA
Fri Apr 24 |
OWEN (AMERICAN FOOTBALL)
Sat Apr 25 |
COASTS
Sun Apr 26 |
SEOUL
Sat May 2 |
LADY LAMB THE BEEKEEPER
with RATHBORNE
Thu May 7 |
YOUNG FATHERS
Fri May 15 |
A TRIBE CALLED RED
Sat May 16 |
JAKUBI
Tue May 19 |
LOCAL H
with ALL EYES WEST
Sat May 23 |
MYSTIC BRAVES
with THE KINKY FINGERS
Wed May 27 |
KATE TEMPEST
Sat May 30 |
SPEEDY ORTIZ
with PALEHOUND
Sat Jun 6 |
MANDOLIN ORANGE

Wed Mar 27 | Radio 1190 Presents | Sold Out

WAVVES  

FIDLAR
CHEATAHS

Doors open at 8pm   |   Show starts at 9pm   |   Sold Out | 16+



Straight from the dungeons of L.A., Wavves are releasing Afraid Of Heights, their fourth album and first on the Mom And Pop label. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly professional than ever on Afraid Of Heights that positions the band to take their rightful place amongst the pop-punk gods.You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest and downright catchy albums of recent memory. Those two records (the eponymous Wavves the eponyymous Wavvves) were winningly, messily chaotic—grand on a small scale, but not necessarily world-beaters. Which is why when Williams, then solo, linked up with erstwhile Jay Reatard sidemen Stephen Pope (bass) and Billy Hayes (drums) and busted the door down with the stunner that was King Of The Beach, a pop-punk blackout for the DeLonge and Deleuze crowd. After the smoke of King Of The Beach had cleared, Williams and Pope released the Life Sux EP, a testament to the crushing powers of rock n' roll and also ennui. The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision—it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, "In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be."

 

Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers ("Sail To The Sun"), relationships ("Dog") and killing cops ("Cop"). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, "The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record—questioning everything not because I'm curious, but because I'm paranoid." That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey "Afraid Of Heights," or the string-aided "I Can't Dream," which rounds the record out with the optimistic, "I can finally sleep," before subverting itself with, "But I can't dream." With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.

powered by: companyBE