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Tue Jan 27 |
KING TUFF
with AMERICAN CULTURE
Wed Jan 28 |
MILKSHAKE 5
with DORIAN, BURN THE MOON
Thu Jan 29 |
THE SOLID OCEAN
with STRING BOARD THEORY, DROPPING HEAVY OBJECTS, BAD LYRES
Thu Jan 29 |
HAPPY HOUR BINGO - Win tix to Cursive, Hundred Waters, Sylvan Esso + more!
Fri Jan 30 |
LAND LINES (ALBUM RELEASE)
with SNAKE RATTLE RATTLE SNAKE, PORLOLO
Sat Jan 31 |
MATES OF STATE
with FICTIONIST
Tue Feb 3 |
SAINT MOTEL
with THE MOTH AND THE FLAME, BROLLY
Wed Feb 4 |
BAD SUNS
with COASTS, MAUDLIN STRANGERS
Thu Feb 5 |
HAYWYRE
with STELOUSE
Thu Feb 5 |
HAPPY HOUR BINGO - Win tix to Broods, Theopholis London, OK GO + more!
Fri Feb 6 |
THE MOTHER HIPS
with STRANGE AMERICANS
Sat Feb 7 |
MR. MIDAS
with TREV RICH, A.P., CATCH LUNGS, PLANES!, DJ DIF'RENT (DRUM SQUAD DJ)
Wed Feb 11 |
THE MASTERSONS
with AARON LEE TASJAN
Thu Feb 12 |
BODY LANGUAGE
with BOLLYWOOD LIFE
Fri Feb 13 |
NO BS! BRASS BAND
with OTHER BLACK
Sat Feb 14 |
GIRAFFAGE
with SPAZZKID, REAL COSBY
Sun Feb 15 |
MADELINE'S REVENGE (album release)
with COOL DOG'S IN THE KENNEL (album release), REALTALK
Mon Feb 16 |
THEM RAGGEDY BONES
with CASEY WAYNE SMITH
Tue Feb 17 |
CATFISH & THE BOTTLEMEN
Wed Feb 18 |
WHITE ARROWS
with SHADY ELDERS, SLOW CAVES
Thu Feb 19 |
JESSICA LEA MAYFIELD
Sat Feb 21 |
DECADON
with XENOLOGY, GEODESIK, ||R | M | M||
Tue Feb 24 |
KATE VOEGELE
with LEROY SANCHEZ
Wed Feb 25 |
DRINKING WITH CHARLIE
with ALL DOGS INVITED, PAPER MOONSHINE, LANDLORD
Thu Feb 26 |
SOFT SKULLS
with SALADS AND SUNBEAMS
Fri Feb 27 |
THE DISTRICTS
with PINE BARONS
Sat Feb 28 |
CURRENT SWELL
Mon Mar 2 |
EDDIE SPAGHETTI
with JIM DALTON (OF RAILBENDERS)
Wed Mar 4 |
KAWEHI
Fri Mar 6 |
DAVID COOK
Sat Mar 7 |
MOON HOOCH
with TODAY'S PARAMOUNT
Wed Mar 11 |
SPACE SUITS FOR INDIANS
with DRUNKIN' RELATIVES, SEE YOU HOME WOLF, THE HOLLOW HEARTED
Mon Mar 23 |
GEOGRAPHER
with WILD ONES
Tue Mar 24 |
VIET CONG
Wed Mar 25 |
PUBLIC SERVICE BROADCASTING
Tue Mar 31 |
THE LAST BISON
with NEULORE
Wed Apr 1 |
DISAPPEARS
Sat Apr 4 |
HAWTHORNE HEIGHTS
with COURAGE MY LOVE, MARK ROSE, SHANE HENDERSON, DAYSEEKER
Thu Apr 9 |
DENGUE FEVER
Mon Apr 13 |
DEAP VALLY
with THE COATHANGERS, LA WITCHES
Fri Apr 17 |
REPTAR
Sat May 2 |
LADY LAMB THE BEEKEEPER
Sat May 23 |
MYSTIC BRAVES

Wed Mar 27 | Radio 1190 Presents | Sold Out

WAVVES  

FIDLAR
CHEATAHS

Doors open at 8pm   |   Show starts at 9pm   |   Sold Out | 16+



Straight from the dungeons of L.A., Wavves are releasing Afraid Of Heights, their fourth album and first on the Mom And Pop label. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly professional than ever on Afraid Of Heights that positions the band to take their rightful place amongst the pop-punk gods.You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest and downright catchy albums of recent memory. Those two records (the eponymous Wavves the eponyymous Wavvves) were winningly, messily chaotic—grand on a small scale, but not necessarily world-beaters. Which is why when Williams, then solo, linked up with erstwhile Jay Reatard sidemen Stephen Pope (bass) and Billy Hayes (drums) and busted the door down with the stunner that was King Of The Beach, a pop-punk blackout for the DeLonge and Deleuze crowd. After the smoke of King Of The Beach had cleared, Williams and Pope released the Life Sux EP, a testament to the crushing powers of rock n' roll and also ennui. The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision—it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, "In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be."

 

Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers ("Sail To The Sun"), relationships ("Dog") and killing cops ("Cop"). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, "The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record—questioning everything not because I'm curious, but because I'm paranoid." That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey "Afraid Of Heights," or the string-aided "I Can't Dream," which rounds the record out with the optimistic, "I can finally sleep," before subverting itself with, "But I can't dream." With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.

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