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Wed Sep 28 |
MYTHirst
with FURBIE CAKES, BIG J BEATS, OLD SOUL ERA, SMRT
Thu Sep 29 |
HAPPY HOUR BINGO
with Win Tix To: On Repeat, Elle King, Okkervil River, Kishi Bashi, Death From Above 1975 + Black Rebel Motorcycle Club, The Faint, Failure, Purity Ring
Thu Sep 29 |
ON REPEAT
with EMPRESS, THE BEEVES, MEETING HOUSE
Fri Sep 30 |
THE SHADOWBOXERS
with WESLEY WATKINS, HR PEOPLE
Sat Oct 1 |
IAN MOORE
with THE CUTTHROAT DRIFTERS
Sat Oct 1 |
DANCE YOURSELF CLEAN - AN INDIE-POP DANCE PARTY
Sun Oct 2 |
THE GODDAMN GALLOWS
with GALLOWS BOUND, CROW CAVALIER
Tue Oct 4 |
WHITE REAPER
with THE OUTFIT, DRAMAD
Wed Oct 5 |
THE WEEKS
with COLD FRONTS
Thu Oct 6 |
A TRIBE CALLED RED
with AT.PLAY, ROSS KISER (OF NEED & NECESSITY)
Thu Oct 6 |
HAPPY HOUR BINGO
with Win Tix To: Mandolin Orange (both nights), Failure, Purity Ring, Moon Hooch, The Faint, Deerhunter, Johnnyswim
Fri Oct 7 |
A TRIBE CALLED RED
with IOWNO, PRUITT
Sat Oct 8 |
CYMBALS EAT GUITARS
with FIELD MOUSE, WILD HONEY
Mon Oct 10 |
SEAN HAYES
with CORY MON, TIM CARR
Wed Oct 12 |
NATALY DAWN
Thu Oct 13 |
THE NORTHERN EMPTY
with TYLER IMBREY & THE GHOST REVIEW, MITCHEL EVAN & THE MANGROVE
Fri Oct 14 |
RACHEL YAMAGATA
Fri Oct 14 |
DADDY ISSUES
with THE PATIENT ZEROS
Sat Oct 15 |
THE GARDEN
with SO PITTED, HEYROCCO
Tue Oct 18 |
TOBACCO
with HIGH TIDES, ODONIS ODONIS
Thu Oct 20 |
BIG BUSINESS
with NATIVE DAUGHTERS, MUSCLE BEACH
Fri Oct 21 |
THE FELICE BROTHERS
with SHELBY EARL, STRAWBERRY RUNNERS
Sat Oct 22 |
TRUE WIDOW
with LOWLANDS, EMERALD SIAM
Sun Oct 23 |
TRASH TALK
with ANTWON, BLACK NOISE (DJ SET)
Tue Oct 25 |
LEWIS DEL MAR
with PRINZE GEORGE
Wed Oct 26 |
NOBUNNY
Fri Oct 28 |
IN THE WHALE
with ONE FLEW WEST
Sat Oct 29 |
HAYDEN JAMES
with ELDERBROOK, RUMTUM
Sun Oct 30 |
LITTLE HURRICANE
Tue Nov 1 |
PAPER ROUTE
with HALFNOISE
Wed Nov 2 |
QUINN XCII
with AYOKAY, YASI
Thu Nov 3 |
THROTTLEBOMB
with THE HEROIN, SPACE IN TIME, SMOLDER & BURN
Fri Nov 4 |
DAVID RAMIREZ
Sat Nov 5 |
SUNFLOWER BEAN
with THE LEMON TWIGS
Sun Nov 6 |
SALES
with TANGERINE
Fri Nov 11 |
JULY TALK
with THE MOTH & THE FLAME, ZIPPER CLUB
Sat Nov 12 |
K THEORY
Wed Nov 16 |
THE DUST BOWL REVIVAL
Thu Nov 17 |
MR LITTLE JEANS
Fri Nov 18 |
THE WILD REEDS
Sat Nov 19 |
THE JEZABELS
Sun Nov 20 |
ADAM TORRES
Tue Nov 22 |
MARC E. BASSY
Sat Nov 26 |
SAD13
with VAGABON
Tue Nov 29 |
BENJAMIN FRANCIS LEFTWICH
with BROLLY
Wed Nov 30 |
HALEY BONAR
with NIGHT MOVES
Fri Dec 9 |
CREATURE CANOPY EP RELEASE
with OPTYCNERD, COMPASS & CAVERN, MEDIC
Fri Dec 30 |
EL TEN ELEVEN
Sat Dec 31 |
EL TEN ELEVEN - NYE SHOW

Wed Mar 27 | Radio 1190 Presents | Sold Out

WAVVES  

FIDLAR
CHEATAHS

Doors open at 8pm   |   Show starts at 9pm   |   Sold Out | 16+



Straight from the dungeons of L.A., Wavves are releasing Afraid Of Heights, their fourth album and first on the Mom And Pop label. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly professional than ever on Afraid Of Heights that positions the band to take their rightful place amongst the pop-punk gods.You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest and downright catchy albums of recent memory. Those two records (the eponymous Wavves the eponyymous Wavvves) were winningly, messily chaotic—grand on a small scale, but not necessarily world-beaters. Which is why when Williams, then solo, linked up with erstwhile Jay Reatard sidemen Stephen Pope (bass) and Billy Hayes (drums) and busted the door down with the stunner that was King Of The Beach, a pop-punk blackout for the DeLonge and Deleuze crowd. After the smoke of King Of The Beach had cleared, Williams and Pope released the Life Sux EP, a testament to the crushing powers of rock n' roll and also ennui. The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision—it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, "In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be."

 

Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers ("Sail To The Sun"), relationships ("Dog") and killing cops ("Cop"). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, "The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record—questioning everything not because I'm curious, but because I'm paranoid." That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey "Afraid Of Heights," or the string-aided "I Can't Dream," which rounds the record out with the optimistic, "I can finally sleep," before subverting itself with, "But I can't dream." With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.

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