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Sat Apr 19 |
SLOW MAGIC
with FRUGAL FATHER, NINA DE FREITAS
Sun Apr 20 |
THE OTHER BLACK (4/20 BRUNCH)
with SFI, BRITTANY WILLIAMS
Sun Apr 20 |
NITTY SCOTT, MC (4/20 SHOW)
with DJ IZER, QBALA
Mon Apr 21 |
BEWARE OF DARKNESS
with DISGRACE THE TRAITOR, INTO THE HOLLOW
Tue Apr 22 |
KURT VEE
with EXOTONE, BISON BONE
Wed Apr 23 |
THE DEAD SIDE
with THE BEGATS, MURDER THE CAT, THE UNDEVOUTS
Thu Apr 24 |
BROODS
with MEG MYERS
Thu Apr 24 |
HAPPY HOUR BINGO - Win tix to Haim, Milk Carton Kids, Speedwolf + more!
Fri Apr 25 |
BRAVE THE BREAKDOWN
with BEES WITH GUNS, WHISKEY RICHARD, THE LARIMERS, BOTTLE ROCKET SCIENCE, AUTO SHOP RULES
Sat Apr 26 |
ONLY THUNDER (Reunion Show)
with BLACK DOTS, FALSE COLOURS, DEAD SET WEST
Sun Apr 27 |
LEOPOLD AND HIS FICTION
with THE JEKYLLS, LSD BAGS, BAD MAPS
Mon Apr 28 |
WE ARE SCIENTISTS
with PAWS
Wed Apr 30 |
A MINOR FOREST
with ACCORDION CRIMES, GLASS HITS
Thu May 1 |
Happy Hour Bingo | Win Tix To: Metronomy, Night Beats, The Pains of Being Pure At Heart + Tons More!
Thu May 1 |
LUCIDA TELA
with NEW LEVERAGE, HARVESTMEN, SHIBUYA TERMINAL
Fri May 2 |
THE DODOS
with A BAND IN PICTURES
Sat May 3 |
LITTLE HURRICANE
with ARK LIFE
Tue May 6 |
NIGHT BEATS
with THEE DANG DANGS, PRISM WAVES
Thu May 8 |
MOOSH & TWIST: OCD
with JARED EVAN, BMBC, JULES
Fri May 9 |
DIRTY//CLEAN SHOWCASE
with BEDROCKK, MOSIS, SNUBLUCK, DAWN SAFARI, LEMON FUTURE
Sat May 10 |
FILTHY T (Album Release)
with BRODIE KINDER, POTCHEEN, MOONLIGHTER
Tue May 13 |
THE PAINS OF BEING PURE AT HEART
with FEAR OF MEN, ABLEBODY
Wed May 14 |
FRONTIER RUCKUS
Thu May 15 |
CHARLES ARTHUR
with JOEY GENETTI, LAZER WOLF, PAUL EDELMAN
Mon May 19 |
STU LARSEN
Wed May 21 |
LITTLE GREEN CARS
with NATALIE WALKER
Thu May 22 |
BLOOD RED SHOES
Sat May 24 |
LOCAL H
with VON STOMPER
Tue May 27 |
MARGOT & THE NUCLEAR SO AND SO'S
with JAKE BELLOWS, KATE MYERS
Thu May 29 |
BUFFALO KILLERS
with SPACE IN TIME
Fri Jun 6 |
DAX RIGGS
Sat Jun 7 |
EAGULLS
Tue Jun 10 |
THE DETROIT COBRAS
with PUJOL
Thu Jun 12 |
LEE BAINS III AND THE GLORY FIRES
Wed Jun 18 |
ALLAH-LAS
Tue Jul 1 |
COURTNEY BARNETT
with YOUR FRIEND, ROO & THE HOWL
Mon Jul 7 |
FLY GOLDEN EAGLE
Mon Jul 14 |
CLOUD NOTHINGS
with THE WYTCHES
Sat Jul 19 |
MAN OR ASTRO-MAN?
Fri Jul 25 |
WOODHOUSE
with THE 8 TURNS, HARVESTMEN, RHEA HORVATH
Tue Jul 29 |
WILD CUB
with GRIZFOLK
Sat Aug 30 |
BOB LOG III
with THE HOLLYFELDS

Wed Mar 27 | Radio 1190 Presents | Sold Out

WAVVES  

FIDLAR
CHEATAHS

Doors open at 8pm   |   Show starts at 9pm   |   Sold Out | 16+



Straight from the dungeons of L.A., Wavves are releasing Afraid Of Heights, their fourth album and first on the Mom And Pop label. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly professional than ever on Afraid Of Heights that positions the band to take their rightful place amongst the pop-punk gods.You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest and downright catchy albums of recent memory. Those two records (the eponymous Wavves the eponyymous Wavvves) were winningly, messily chaotic—grand on a small scale, but not necessarily world-beaters. Which is why when Williams, then solo, linked up with erstwhile Jay Reatard sidemen Stephen Pope (bass) and Billy Hayes (drums) and busted the door down with the stunner that was King Of The Beach, a pop-punk blackout for the DeLonge and Deleuze crowd. After the smoke of King Of The Beach had cleared, Williams and Pope released the Life Sux EP, a testament to the crushing powers of rock n' roll and also ennui. The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision—it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, "In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be."

 

Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers ("Sail To The Sun"), relationships ("Dog") and killing cops ("Cop"). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, "The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record—questioning everything not because I'm curious, but because I'm paranoid." That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey "Afraid Of Heights," or the string-aided "I Can't Dream," which rounds the record out with the optimistic, "I can finally sleep," before subverting itself with, "But I can't dream." With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.

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