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Tue Jan 27 |
KING TUFF
with AMERICAN CULTURE
Wed Jan 28 |
MILKSHAKE 5
with DORIAN, BURN THE MOON
Thu Jan 29 |
THE SOLID OCEAN
with STRING BOARD THEORY, DROPPING HEAVY OBJECTS, BAD LYRES
Thu Jan 29 |
HAPPY HOUR BINGO - Win tix to Cursive, Hundred Waters, Sylvan Esso + more!
Fri Jan 30 |
LAND LINES (ALBUM RELEASE)
with SNAKE RATTLE RATTLE SNAKE, PORLOLO
Sat Jan 31 |
MATES OF STATE
with FICTIONIST
Tue Feb 3 |
SAINT MOTEL
with THE MOTH AND THE FLAME, BROLLY
Wed Feb 4 |
BAD SUNS
with COASTS, MAUDLIN STRANGERS
Thu Feb 5 |
HAYWYRE
with STELOUSE
Thu Feb 5 |
HAPPY HOUR BINGO - Win tix to Broods, Theopholis London, OK GO + more!
Fri Feb 6 |
THE MOTHER HIPS
with STRANGE AMERICANS
Sat Feb 7 |
MR. MIDAS
with TREV RICH, A.P., CATCH LUNGS, PLANES!, DJ DIF'RENT (DRUM SQUAD DJ)
Wed Feb 11 |
THE MASTERSONS
with AARON LEE TASJAN
Thu Feb 12 |
BODY LANGUAGE
with BOLLYWOOD LIFE
Fri Feb 13 |
NO BS! BRASS BAND
with OTHER BLACK
Sat Feb 14 |
GIRAFFAGE
with SPAZZKID, REAL COSBY
Sun Feb 15 |
MADELINE'S REVENGE (album release)
with COOL DOG'S IN THE KENNEL (album release), REALTALK
Mon Feb 16 |
THEM RAGGEDY BONES
with CASEY WAYNE SMITH
Tue Feb 17 |
CATFISH & THE BOTTLEMEN
Wed Feb 18 |
WHITE ARROWS
with SHADY ELDERS, SLOW CAVES
Thu Feb 19 |
JESSICA LEA MAYFIELD
Sat Feb 21 |
DECADON
with XENOLOGY, GEODESIK, ||R | M | M||
Tue Feb 24 |
KATE VOEGELE
with LEROY SANCHEZ
Wed Feb 25 |
DRINKING WITH CHARLIE
with ALL DOGS INVITED, PAPER MOONSHINE, LANDLORD
Thu Feb 26 |
SOFT SKULLS
with SALADS AND SUNBEAMS
Fri Feb 27 |
THE DISTRICTS
with PINE BARONS
Sat Feb 28 |
CURRENT SWELL
Mon Mar 2 |
EDDIE SPAGHETTI
with JIM DALTON (OF RAILBENDERS)
Wed Mar 4 |
KAWEHI
Fri Mar 6 |
DAVID COOK
Sat Mar 7 |
MOON HOOCH
with TODAY'S PARAMOUNT
Wed Mar 11 |
SPACE SUITS FOR INDIANS
with DRUNKIN' RELATIVES, SEE YOU HOME WOLF, THE HOLLOW HEARTED
Mon Mar 23 |
GEOGRAPHER
with WILD ONES
Tue Mar 24 |
VIET CONG
Wed Mar 25 |
PUBLIC SERVICE BROADCASTING
Tue Mar 31 |
THE LAST BISON
with NEULORE
Wed Apr 1 |
DISAPPEARS
Sat Apr 4 |
HAWTHORNE HEIGHTS
with COURAGE MY LOVE, MARK ROSE, SHANE HENDERSON, DAYSEEKER
Thu Apr 9 |
DENGUE FEVER
Mon Apr 13 |
DEAP VALLY
with THE COATHANGERS, LA WITCHES
Fri Apr 17 |
REPTAR

Sat Jul 27 | Radio 1190 Presents...

FUTUREBIRDS  

DIARRHEA PLANET
SAUNA
DIRTY FEW

Doors open at 8pm   |   Show starts at 9pm   |   $15.00 In Adv | $17.00 Day Of Show | 16+





Baba Yaga, the second full-length album by Athens, GA's Futurebirds, marks a milestone in the continuous evolution of the eclectic ensemble. The 13-song album finds Futurebirds - Thomas Johnson, Carter King, Dennis Love, Brannen Miles, Daniel Womack, and Payton Bradford (who has since left the lineup to pursue a non-musical career path)  - delivering an expansive yet intimate set that takes the band's trademark mix of earthily accessible songcraft and free-spirited experimentation into inspired new territory.

Like the band that made it, Baba Yaga defies easy categorization, boasting a beguiling blend of warmly catchy tunes, stirringly evocative lyrics, distinctive sonic textures and unexpected melodic twists. The music is both intense and uplifting, capturing a good deal of the soaring, primal, sweat-soaked spirit of Futurebirds' live shows, which have already won the group a rabidly devoted fan base and a reputation as a singularly inspired, bravely unpredictable performing unit.

Throughout Baba Yaga, Futurebirds' inventiveness and energy are suffused by a bittersweet, introspective melancholy that lends added emotional resonance to such compelling tunes as "Virginia Slims," "Serial Bowls," "Death Awaits" and "St. Summercamp," which showcase the band's indelible melodies, vivid lyrics and vibrant instrumental rapport.

"This album definitely feels like a big milestone for us, no question," King says. "Just the fact that it's finally coming out feels like a milestone in itself," adds Johnson. Indeed, Baba Yaga's long journey to the public's ears is a story in itself, but the music more than justifies the album's long and often frustrating birth cycle.

Early in their existence, Futurebirds' balance of homespun roots and forward-thinking exploration made the band a favorite in and around their bohemian hometown. The 2009 release of their self-titled debut EP was followed the next year by their first full-length debut album, Hampton's Lullaby. It was followed by the self-released EP Via Flamina, and the limited-edition 2011 Record Store Day release Live at Seney-Stovall Chapel, which sold out on the day of its release.

Futurebirds continued to build its fan base by touring relentlessly, sharing bills with the likes of Drive-By Truckers, Widespread Panic, Heartless Bastards and Alabama Shakes and performing at such prestigious festivals as Austin City Limits, Outside Lands, Hangout, Wakarusa, Forecastle and Bonnaroo. Futurebirds was also featured on 2011's Bonnaroo Buzz tour, playing between Gary Clark Jr. and headliner Grace Potter & The Nocturnals.

Futurebirds' combustible musical chemistry reaches inspired new heights on Baba Yaga. "In some ways we're like one organism with six brains, but at the same time everyone in the band is vastly different," King observes. "We had five different songwriters in the band on this record, with very different influences and inspirations. We get into the studio and people bring in their songs, and by the time we get done with a song, there's a piece of everybody in it."

"We all come from different backgrounds and chase different sounds, but when we play together there's this weird dark chemistry amongst us," Johnson notes, adding, "I can hear a song that someone else wrote and know exactly what I can bring to it, and the same goes for the others when they hear my songs."

Baba Yaga was recorded in 45 studio days over the course of seven months, with the band touring between sessions in order to pay the recording bills. The musicians originally demoed about 30 songs for the project, 25 of which they recorded during the sessions, before paring that batch down to the 13 that appear on the finished album

"The songs on this album seem to all come from a similar place," adds Johnson. "They don't all sound the same or have the same vibe, but we've shared so many experiences that there's an unspoken understanding amongst us as to where a song is coming from and where it wants to go."

The bumpy road to the album's release - which resulted in a near two-year gap between Futurebirds releases—included making difficult decisions in finding the proper home for the album, but helped to inspire the band to name it Baba Yaga, after a forest-dwelling, child-eating witch from Slavic folklore.

"It was a long and painstaking process trying to get this album out," King explains. "We got pretty discouraged, feeling like maybe it would never see the light of day, and one day I was talking to Thomas and started saying, 'God, is this record some mythical creature out in the woods that only exists in our imaginations?' Then we read about Baba Yaga, and that perfectly described how we were feeling about this record."

Fortunately, Futurebirds has emerged from its business travails a more confident and determined creative unit - a fact that the band plans on demonstrating by touring as much as humanly possible.

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