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Fri Sep 30 |
THE SHADOWBOXERS
with WESLEY WATKINS, HR PEOPLE
Sat Oct 1 |
DANCE YOURSELF CLEAN - AN INDIE-POP DANCE PARTY
Sat Oct 1 |
IAN MOORE
with THE CUTTHROAT DRIFTERS
Sun Oct 2 |
THE GODDAMN GALLOWS
with GALLOWS BOUND, CROW CAVALIER
Tue Oct 4 |
WHITE REAPER
with THE OUTFIT, DRAMAD
Wed Oct 5 |
THE WEEKS
with COLD FRONTS
Thu Oct 6 |
A TRIBE CALLED RED
with AT.PLAY, ROSS KISER (OF NEED & NECESSITY)
Thu Oct 6 |
HAPPY HOUR BINGO
with Win Tix To: Mandolin Orange (both nights), Failure, Purity Ring, Moon Hooch, The Faint, Deerhunter, Johnnyswim
Fri Oct 7 |
A TRIBE CALLED RED
with IOWNO, AZON
Sat Oct 8 |
CYMBALS EAT GUITARS
with FIELD MOUSE, WILD HONEY
Mon Oct 10 |
SEAN HAYES
with CORY MON, TIM CARR
Wed Oct 12 |
NATALY DAWN
Thu Oct 13 |
THE NORTHERN EMPTY
with TYLER IMBREY & THE GHOST REVIEW, MITCHEL EVAN & THE MANGROVE, *CLICK HERE TO BUY TIX*
Fri Oct 14 |
RACHEL YAMAGATA
Fri Oct 14 |
DADDY ISSUES
with THE PATIENT ZEROS
Sat Oct 15 |
THE GARDEN
with SO PITTED, HEYROCCO
Tue Oct 18 |
TOBACCO
with HIGH TIDES, ODONIS ODONIS
Thu Oct 20 |
BIG BUSINESS
with NATIVE DAUGHTERS, MUSCLE BEACH
Fri Oct 21 |
THE FELICE BROTHERS
with SHELBY EARL, STRAWBERRY RUNNERS
Sat Oct 22 |
TRUE WIDOW
with LOWLANDS, EMERALD SIAM
Sun Oct 23 |
TRASH TALK
with ANTWON, BLACK NOISE (DJ SET)
Tue Oct 25 |
LEWIS DEL MAR
with PRINZE GEORGE
Wed Oct 26 |
NOBUNNY
Fri Oct 28 |
IN THE WHALE
with ONE FLEW WEST
Sat Oct 29 |
HAYDEN JAMES
with ELDERBROOK, RUMTUM
Sun Oct 30 |
LITTLE HURRICANE
Tue Nov 1 |
PAPER ROUTE
with HALFNOISE
Wed Nov 2 |
QUINN XCII
with AYOKAY, YASI
Thu Nov 3 |
THROTTLEBOMB
with THE HEROIN, SPACE IN TIME, SMOLDER & BURN
Fri Nov 4 |
DAVID RAMIREZ
Sat Nov 5 |
SUNFLOWER BEAN
with THE LEMON TWIGS
Sun Nov 6 |
SALES
with TANGERINE
Fri Nov 11 |
JULY TALK
with THE MOTH & THE FLAME, ZIPPER CLUB
Sat Nov 12 |
K THEORY
Wed Nov 16 |
THE DUST BOWL REVIVAL
Thu Nov 17 |
MR LITTLE JEANS
Fri Nov 18 |
THE WILD REEDS
Sat Nov 19 |
THE JEZABELS
Sun Nov 20 |
ADAM TORRES
Tue Nov 22 |
MARC E. BASSY
Sat Nov 26 |
SAD13
with VAGABON
Tue Nov 29 |
BENJAMIN FRANCIS LEFTWICH
with BROLLY
Wed Nov 30 |
HALEY BONAR
with NIGHT MOVES
Fri Dec 9 |
CREATURE CANOPY EP RELEASE
with OPTYCNERD, COMPASS & CAVERN, MEDIC
Fri Dec 30 |
EL TEN ELEVEN
Sat Dec 31 |
EL TEN ELEVEN - NYE SHOW

Sat Jul 27 | Radio 1190 Presents...

FUTUREBIRDS  

DIARRHEA PLANET
SAUNA
DIRTY FEW

Doors open at 8pm   |   Show starts at 9pm   |   $15.00 In Adv | $17.00 Day Of Show | 16+





Baba Yaga, the second full-length album by Athens, GA's Futurebirds, marks a milestone in the continuous evolution of the eclectic ensemble. The 13-song album finds Futurebirds - Thomas Johnson, Carter King, Dennis Love, Brannen Miles, Daniel Womack, and Payton Bradford (who has since left the lineup to pursue a non-musical career path)  - delivering an expansive yet intimate set that takes the band's trademark mix of earthily accessible songcraft and free-spirited experimentation into inspired new territory.

Like the band that made it, Baba Yaga defies easy categorization, boasting a beguiling blend of warmly catchy tunes, stirringly evocative lyrics, distinctive sonic textures and unexpected melodic twists. The music is both intense and uplifting, capturing a good deal of the soaring, primal, sweat-soaked spirit of Futurebirds' live shows, which have already won the group a rabidly devoted fan base and a reputation as a singularly inspired, bravely unpredictable performing unit.

Throughout Baba Yaga, Futurebirds' inventiveness and energy are suffused by a bittersweet, introspective melancholy that lends added emotional resonance to such compelling tunes as "Virginia Slims," "Serial Bowls," "Death Awaits" and "St. Summercamp," which showcase the band's indelible melodies, vivid lyrics and vibrant instrumental rapport.

"This album definitely feels like a big milestone for us, no question," King says. "Just the fact that it's finally coming out feels like a milestone in itself," adds Johnson. Indeed, Baba Yaga's long journey to the public's ears is a story in itself, but the music more than justifies the album's long and often frustrating birth cycle.

Early in their existence, Futurebirds' balance of homespun roots and forward-thinking exploration made the band a favorite in and around their bohemian hometown. The 2009 release of their self-titled debut EP was followed the next year by their first full-length debut album, Hampton's Lullaby. It was followed by the self-released EP Via Flamina, and the limited-edition 2011 Record Store Day release Live at Seney-Stovall Chapel, which sold out on the day of its release.

Futurebirds continued to build its fan base by touring relentlessly, sharing bills with the likes of Drive-By Truckers, Widespread Panic, Heartless Bastards and Alabama Shakes and performing at such prestigious festivals as Austin City Limits, Outside Lands, Hangout, Wakarusa, Forecastle and Bonnaroo. Futurebirds was also featured on 2011's Bonnaroo Buzz tour, playing between Gary Clark Jr. and headliner Grace Potter & The Nocturnals.

Futurebirds' combustible musical chemistry reaches inspired new heights on Baba Yaga. "In some ways we're like one organism with six brains, but at the same time everyone in the band is vastly different," King observes. "We had five different songwriters in the band on this record, with very different influences and inspirations. We get into the studio and people bring in their songs, and by the time we get done with a song, there's a piece of everybody in it."

"We all come from different backgrounds and chase different sounds, but when we play together there's this weird dark chemistry amongst us," Johnson notes, adding, "I can hear a song that someone else wrote and know exactly what I can bring to it, and the same goes for the others when they hear my songs."

Baba Yaga was recorded in 45 studio days over the course of seven months, with the band touring between sessions in order to pay the recording bills. The musicians originally demoed about 30 songs for the project, 25 of which they recorded during the sessions, before paring that batch down to the 13 that appear on the finished album

"The songs on this album seem to all come from a similar place," adds Johnson. "They don't all sound the same or have the same vibe, but we've shared so many experiences that there's an unspoken understanding amongst us as to where a song is coming from and where it wants to go."

The bumpy road to the album's release - which resulted in a near two-year gap between Futurebirds releases—included making difficult decisions in finding the proper home for the album, but helped to inspire the band to name it Baba Yaga, after a forest-dwelling, child-eating witch from Slavic folklore.

"It was a long and painstaking process trying to get this album out," King explains. "We got pretty discouraged, feeling like maybe it would never see the light of day, and one day I was talking to Thomas and started saying, 'God, is this record some mythical creature out in the woods that only exists in our imaginations?' Then we read about Baba Yaga, and that perfectly described how we were feeling about this record."

Fortunately, Futurebirds has emerged from its business travails a more confident and determined creative unit - a fact that the band plans on demonstrating by touring as much as humanly possible.

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