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Wed Aug 20 |
PORTUGAL. THE MAN
Thu Aug 21 |
HAPPY HOUR BINGO - Win tix to Future Islands, Phantogram, War on Drugs + more!
Thu Aug 21 |
BLACK MAGIC DARKNESS
with MEDUSA1975, SUGAR SKULLS & MARIGOLDS
Fri Aug 22 |
MORNING BEAR
with TIN EMPIRE, AMY KRESS, BEN HANNA BAND
Sat Aug 23 |
BLACK KIDS
with SLOW CAVES, THE CIRCUS HOUSE
Sun Aug 24 |
LITERATI RECORDS SHOWCASE
with CLOUD CATCHER, THE CUTTHROAT DRIFTERS, ...AND THE BLACK FEATHERS, THE PATIENT ZEROS, REMEMBER THE RADIO, COUGAR GOLD, THE BORN READIES, JEFFREY DALLET
Mon Aug 25 |
MC FRONTALOT
with DR AWKWARD, CORN MO, AN HOBBES
Tue Aug 26 |
JESSICA HERNANDEZ & THE DELTAS
with VARLET, SAFE BOATING IS NO ACCIDENT
Wed Aug 27 |
THE FEDERALISTS
with LANDGRABBERS, IN TRANSITION, WATERTOWER
Thu Aug 28 |
GENERAL L.I.F.E.
with AP VEGAS, COLLIN REYNOLDS, DEBT THE MENTAL, HERBS TMP, AUGMENTED PNEUMATIC, ART BY: ZACK MCKINNON & BRANDON MARTINEZ, POETRY BY: DANIELSON
Fri Aug 29 |
VICES I ADMIRE
with STRIP THE STARS, LEASH OF FOXES
Sat Aug 30 |
BOB LOG III
with THE HOLLYFELDS, THE GHOST OF JOSEPH BUCK
Sun Aug 31 |
Sunday Funday w/Death Day Cabaret
with SPACE SUITS FOR INDIANS, TRANSFER STATION, MOJAVE SUN
Wed Sep 3 |
KNOX HAMILTON
Thu Sep 4 |
YUNA
with GG&LEE
Fri Sep 5 |
PARADISE FEARS
with WILLIAM BECKETT, THE HOST CLUB
Fri Sep 5 |
SO-GNAR PRESENTS: OFFICIAL FLUX PAVILLION PRE-PARTY
with RAW RUSS, OG STATUS, FUTURE HEROES
Sat Sep 6 |
DRAG THE RIVER
with DENVER BRONCOS UK, OL HICKORY
Mon Sep 8 |
JOEY CAPE
Fri Sep 12 |
TOBACCO
with THE STARGAZER LILIES, OSCILLATOR BUG
Sat Sep 13 |
GOLDRUSH MUSIC FESTIVAL
with Wolf Eyes, Eric Copeland, Mount Eerie, clipping. and more
Sun Sep 14 |
GOLDRUSH MUSIC FESTIVAL
with Wolf Eyes, Eric Copeland, Mount Eerie, clipping. and more
Tue Sep 16 |
ABEASITY JONES W/DP THA PRINCE
with EVERAI, KAY DEE, MESN, DEALZ MAKES BEATS, HOSTED BY : BABAH FLY & CHRIS HAVEN
Wed Sep 17 |
DEBAUCHERY TOMORROW
with WENDY CLARK BAND, CRIMSON CROWS, MIKE CANO'S MUSHROOM FUNK
Thu Sep 18 |
RED BULL SOUND SELECT PRESENTS: DENVER featuring AUSTRA (FREE w/ RSVP)
with SHADY ELDERS, EROS & THE ESCHATON
Sat Sep 20 |
THE WHIGS
with MOSEY WEST, DISGRACE THE TRAITOR
Tue Sep 23 |
YOUNG RISING SONS
Wed Sep 24 |
MIKE WATT
with THE POLLUTION
Thu Sep 25 |
GLASS ANIMALS
with ROME FORTUNE
Fri Sep 26 |
JESSE R.S.
Sat Sep 27 |
CASEY JAMES PRESTWOOD & THE BURNING ANGELS
with IDLEWHILE
Sun Sep 28 |
AGENT ORANGE
with IN THE WHALE, CODENAME : CARTER
Mon Sep 29 |
THE ELECTRIC SONS
Tue Sep 30 |
KOPECKY FAMILY BAND
with AVID DANCER
Wed Oct 1 |
EARTH
with KING DUDE
Thu Oct 2 |
BEACH FOSSILS
with HEAVENLY BEAT, AXXA/ABRAXAS
Sat Oct 4 |
THE GIRAFFES
with LORDS OF FUZZ
Sun Oct 5 |
KALIN AND MYLES
Tue Oct 7 |
BAHAMAS
with BASIA BULAT
Tue Oct 14 |
ASGEIR
with LOW ROAR
Wed Oct 15 |
SONREAL
Fri Oct 17 |
HONEYHONEY
Sat Oct 18 |
THE PREATURES
Mon Oct 20 |
TURQUOISE JEEP
with YIP DECEIVER
Sat Oct 25 |
CON BRO CHILL
Tue Oct 28 |
AVI BUFFALO
Fri Oct 31 |
SECRET CHIEFS 3
Sat Nov 8 |
JUDAH & THE LION
Mon Nov 10 |
SOHN
Fri Nov 21 |
J MASCIS (NIGHT ONE)
with LULUC
Sat Nov 22 |
J MASCIS (NIGHT TWO)
with LULUC
Tue Dec 2 |
MY BRIGHTEST DIAMOND

Fri Dec 13 | Twist & Shout and KGNU Present | 21+

PATTERSON HOOD OF DRIVE-BY TRUCKERS (NIGHT ONE)  

T. HARDY MORRIS

Doors open at 8pm   |   Show starts at 9pm   |   On Sale Fri 8/23 | $20 In Adv | $25 Day Of | 21+





Back in January, worn out from having spent a year on tour and facing a new album’s release and another year spent mostly on a bus, away from the comforts of home and family, I decided to try to write a book. I had made a couple of stabs in that direction before (as well as a couple of screenplays) but had so far failed to complete one. The thing is, I love to write on the road. I write most every day out there. It’s usually not songs, as completing a song amid all of the noise, distractions and music blasting on the bus is very difficult (I do often start songs there that get finished later) but writing non-musical compositions comes pretty easy for me out here and it sure passes the time. Beside, I had an idea for a story I wanted to write and it started coming very easily. By our third month on the road I already had a pretty firm outline of what I wanted and several chapters that I felt really good about.

I was calling my book “Slam Dancing in the Pews”, named after a cassette that Virgil Kane had recorded in 1992 when Cooley and I were playing shows under that name after the break up of Adam’s House Cat. The book was basically half-assed fictionalization of that very turbulent period of my life. I was 27, my band broke up, I got divorced and left my hometown to live in Memphis. My car got stolen, our band’s truck got stripped and I fell in love. I fell out with my family (who I was very, very close to) and had my heart broken. I seriously pondered killing myself several times but instead wrote literally over 500 songs in a three-year period. A time when I reinvented myself artistically and experienced a sort of rebirth that led to a lot of the things I have done in the last two decades.

My book would sort of tell that story, but interspersed with lyrics from that period of my life, as well as new song lyrics either set in that time or from the point of view of various characters from the book. The structure would be chapter / song / chapter / song and so on. If the book was coming fast, the songs were coming even easier. Then the booked stopped coming. Someday I may want to tell that story, but timing is everything and this just isn’t the time for it.

The songs, however continued to pour out, taking a few left turns and then morphing into its own thing. Most of this album comes from that short period of time between February and June of 2011. The songs begin in the period that the book was set in, but don’t end there, as they really just were the impetus for writing about the life I am living now and contrasting it with the troubled times of two decades ago.

I called it Heat Lightning Rumbles in the Distance and decided that spring to record it as a solo album. I could clearly hear in my head exactly how I wanted every song to sound and made a list of who I wanted to play on each one. It is in some ways the most personal album I’ve ever made. There has always been a lot of me in all of the albums we’ve done, but usually semi-disguised as character sketches and stories, but the first person narrative in this one is pretty firmly rooted in autobiography, albeit in two dramatically differing time periods.

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