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Sat Apr 30 |
NATIVE DAUGHTERS (ALBUM RELEASE PARTY)
with ABRAMS, SPELLS, DANGEROUS FRIENDS
Sun May 1 |
SUNDAY BBQ SERIES
with FALSE REPORT, MONTONEROS, ANTERROIR, HOTEL BAR, SORREL, Rino Grille will be open!
Mon May 2 |
DECLAN MCKENNA
with GLEEMER, CIVIL ENGINEER
Tue May 3 |
COASTS
with KNOX HAMILTON, SYMMETRY, THE SOLID OCEAN
Wed May 4 |
SUSTO
with BISON BONE
Thu May 5 |
WILL HOGE
with BRENT COWLES (of You Me & Apollo), MATT ROUCH, ANDRES (OF MONTROPO)
Thu May 5 |
HAPPY HOUR BINGO
with Win tix to Borns, Explosions in the Sky, Blaq Audio
Fri May 6 |
BLACK MOUNTAIN
with WHITE HILLS
Sat May 7 |
BLACK MOUNTAIN
with WHITE HILLS
Mon May 9 |
HIPPO CAMPUS
with RIOTHORSE ROYALE
Wed May 11 |
LEVITATION ROOM (BURGER RECORDS)
with THE SAVAGE BLUSH, THE TRIP, CHOCOLATE DIAMOND
Thu May 12 |
NIGHT DEMON
with VISIGOTH, CELLADOR, SATAN'S HOST
Thu May 12 |
HAPPY HOUR BINGO
with Win tix to Mayor Hawthorne, The Neighbourhood, Whitey Morgan
Fri May 13 |
POSSESSED BY PAUL JAMES
with ANDY THOMAS' DUST HEART, RL COLE
Sat May 14 |
BIG WILD
with MIKEY THUNDER, DAWN SAFARI
Sun May 15 |
SUNDAY BBQ SERIES
with GRANNY TWEED, GOOD NEIGHBOR & HIS TENT CITY DRIFTERS, LARRY NIX
Tue May 17 |
NOTHING BUT THIEVES
with THE WRECKS
Wed May 18 |
STICKY FINGERS
with BOOTLEG RASCALS
Thu May 19 |
HAPPY HOUR BINGO
with Win tix to Kaleo, The Kills, Tokyo Police Club
Thu May 19 |
MISA OF UCD ARTIST SHOWCASE
Fri May 20 |
DEAD MEADOW
with BAD LICKS, DEAD PALMS
Sat May 21 |
PROJECT PABST DENVER
Sun May 22 |
THE LAST REVEL (BBQ SHOW)
with THE SWEET LILLIES (TRIO), MONOCLE
Mon May 23 |
BREAKBOT
with DE LUX
Tue May 24 |
SOAK.
Wed May 25 |
THE SHELTERS
Thu May 26 |
HAPPY HOUR BINGO
with Win tix to Growlers, Caravan Palace, Joywave
Thu May 26 |
GO DARK
with AYTIKO
Sat May 28 |
THE HOTELIER
with TOLD SLANT, LOONE
Sun May 29 |
FRUIT BATS
with TRUMMORS
Fri Jun 3 |
SP DOUBLE
Sat Jun 4 |
MANILA KILLA
Mon Jun 6 |
SUPERHEAVEN
with CREEPOID, SPIRIT OF THE BEEHIVE
Wed Jun 8 |
GROW WILD TOUR
Sat Jun 11 |
KEVIN MORBY
with JAYE BARTELL
Tue Jun 14 |
MUTUAL BENEFIT
with FLORIST, MRS. MAGICIAN
Tue Jun 14 |
BRONCHO (WALNUT ROOM)
with WINTER, BILLY CHANGER
Thu Jun 16 |
CORB LUND
with ANDY HAMILTON & THE ROCKY MOUNTAIN CONTRABAND
Sat Jun 18 |
ESME PATTERSON
Mon Jun 20 |
EAGULLS
Tue Jun 21 |
THE HUNNA
Wed Jun 22 |
WHILK + MISKY
Tue Jun 28 |
TWIN PEAKS
with NE-HI
Wed Jul 6 |
THE SHEEPDOGS
Fri Jul 8 |
DEAD WINTER CARPENTERS
Sun Jul 10 |
SUNDAY BBQ SERIES
Thu Jul 14 |
THE EAGLE ROCK GOSPEL SINGERS
Sat Jul 16 |
MITSKI
with JAPANESE BREAKFAST, JAY SOM
Sun Jul 17 |
WHISKEY SHIVERS BBQ
Mon Jul 18 |
MARGARET GLASPY
Mon Jul 25 |
PINEGROVE
with SPORTS, HALF WAIF
Fri Jul 29 |
THE NOISY FREAKS
Sat Jul 30 |
YONI & GETI
Sun Jul 31 |
RENO DIVORCE (BBQ SHOW)
Mon Aug 1 |
OH PEP!
Thu Aug 11 |
PROTOMARTYR
Sat Aug 13 |
D.R.I.
with THE EIGHT BUCKS EXPERIMENT
Sun Aug 14 |
D.R.I. BBQ SHOW
with THE EIGHT BUCKS EXPERIMENT

Fri Dec 13 | Twist & Shout and KGNU Present | 21+

PATTERSON HOOD OF DRIVE-BY TRUCKERS (NIGHT ONE)  

T. HARDY MORRIS

Doors open at 8pm   |   Show starts at 9pm   |   On Sale Fri 8/23 | $20 In Adv | $25 Day Of | 21+





Back in January, worn out from having spent a year on tour and facing a new album’s release and another year spent mostly on a bus, away from the comforts of home and family, I decided to try to write a book. I had made a couple of stabs in that direction before (as well as a couple of screenplays) but had so far failed to complete one. The thing is, I love to write on the road. I write most every day out there. It’s usually not songs, as completing a song amid all of the noise, distractions and music blasting on the bus is very difficult (I do often start songs there that get finished later) but writing non-musical compositions comes pretty easy for me out here and it sure passes the time. Beside, I had an idea for a story I wanted to write and it started coming very easily. By our third month on the road I already had a pretty firm outline of what I wanted and several chapters that I felt really good about.

I was calling my book “Slam Dancing in the Pews”, named after a cassette that Virgil Kane had recorded in 1992 when Cooley and I were playing shows under that name after the break up of Adam’s House Cat. The book was basically half-assed fictionalization of that very turbulent period of my life. I was 27, my band broke up, I got divorced and left my hometown to live in Memphis. My car got stolen, our band’s truck got stripped and I fell in love. I fell out with my family (who I was very, very close to) and had my heart broken. I seriously pondered killing myself several times but instead wrote literally over 500 songs in a three-year period. A time when I reinvented myself artistically and experienced a sort of rebirth that led to a lot of the things I have done in the last two decades.

My book would sort of tell that story, but interspersed with lyrics from that period of my life, as well as new song lyrics either set in that time or from the point of view of various characters from the book. The structure would be chapter / song / chapter / song and so on. If the book was coming fast, the songs were coming even easier. Then the booked stopped coming. Someday I may want to tell that story, but timing is everything and this just isn’t the time for it.

The songs, however continued to pour out, taking a few left turns and then morphing into its own thing. Most of this album comes from that short period of time between February and June of 2011. The songs begin in the period that the book was set in, but don’t end there, as they really just were the impetus for writing about the life I am living now and contrasting it with the troubled times of two decades ago.

I called it Heat Lightning Rumbles in the Distance and decided that spring to record it as a solo album. I could clearly hear in my head exactly how I wanted every song to sound and made a list of who I wanted to play on each one. It is in some ways the most personal album I’ve ever made. There has always been a lot of me in all of the albums we’ve done, but usually semi-disguised as character sketches and stories, but the first person narrative in this one is pretty firmly rooted in autobiography, albeit in two dramatically differing time periods.

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