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Wed Sep 2 |
FUTURE CULTURE
with HYDRAFORM, TOO MANY HUMANS, COVERGEIST
Thu Sep 3 |
HAPPY HOUR BINGO
with Win tix to Passenger, Twin Shadow, JR JR
Thu Sep 3 |
SHANE HENDERSON (OF VALENCIA)
with DAN AID (OF WIREDOGS)
Thu Sep 3 |
BROWNOUT (PRE-PHISH PARTY)
Fri Sep 4 |
UNTIL THE RIBBON BREAKS
with INPUT & BROKEN, INSTANT EMPIRE
Sat Sep 5 |
MITIS
with PAWS, SUBTHEORY, AZON CLASSIC
Sun Sep 6 |
SUNDAY BBQ SERIES: GONE WEST
with THE BELL HOURS, THE SAMUEL EDGAR BAND, CASEY SMITH, MIKE LAMITOLA, ROY CATLIN
Wed Sep 9 |
ON AN ON
with ELIOT SUMNER, DOSH
Thu Sep 10 |
HAPPY HOUR BINGO
with Win tix to Glass Animals, Delta Rae, JR JR
Thu Sep 10 |
SUGAR SKULLS & MARIGOLDS
with CULT OF THE LOST CAUSE, CHURCH FIRE
Fri Sep 11 |
RADKEY
with SLOW CAVES, LSD BAGS
Sat Sep 12 |
WAVE RACER
with SHAWN WASABI, PROPER MOTION
Sun Sep 13 |
SUNDAY BBQ SERIES: THE SKULL
with MASTER FEROCIOUS, ALTERITY, STILL VALLEY, WITCHFINGER
Mon Sep 14 |
BLACK PUSSY
with APE MACHINE, CLOUD CATCHER, SMOLDER & BURN
Wed Sep 16 |
THE COATHANGERS
with THE BIRTH DEFECTS, THE SAVAGE BLUSH
Thu Sep 17 |
THE LIGHTHOUSE AND THE WHALER
with BORN CAGES
Thu Sep 17 |
HAPPY HOUR BINGO
with Win tix to Franz Ferdinand, Ms Mr, Youth Lagoon
Fri Sep 18 |
REDLANDS
with 888, NEVER LET THIS GO, DEFY YOU STARS, DALLAS GARCIA, KIMI MOST
Sat Sep 19 |
THE PHOTO ATLAS
Sat Sep 19 |
YOUNG & RESTLESS MUSIC SHOWCASE
with SNUBLUCK, KAL HALAX, DANIEL ROBBINS, JORDAN PAUL, ELORA ZAMAR
Sun Sep 20 |
THUNDERCAT
Mon Sep 21 |
STEVE'N'SEAGULLS
Tue Sep 22 |
TYLER WARD
Wed Sep 23 |
AUTHOR & PUNISHER
with MUSCLE AND MARROW
Thu Sep 24 |
HAPPY HOUR BINGO
with Win tix to Saint Motel, Run The Jewels, Owl City
Fri Sep 25 |
A PLACE TO BURY STRANGERS
with GROOMS, EMERALD SIAM
Sat Sep 26 |
LARIMER BLOCK PARTY 2015:
with Plus some of Denver's best bands, DJs, and street artists!
Tue Sep 29 |
SHANNON AND THE CLAMS
Wed Sep 30 |
HAPPY HOUR BINGO
with Win tix to Shakey Graves (firday night), Misterwives, Youth Lagoon
Fri Oct 2 |
CRIZZLY & FRIENDS
with PRUITT
Sat Oct 3 |
ALGIERS
with BAMBARA
Tue Oct 6 |
MELANIE MARTINEZ
with HANDSOME GHOST
Wed Oct 7 |
MELANIE MARTINEZ
with HANDSOME GHOST
Thu Oct 8 |
DRENGE
with MADE VIOLENT
Fri Oct 9 |
JOEY CAPE
with LAURA MARDON, WALT HAMBURGER, BETTY AND THE BOY
Sat Oct 10 |
THE GIRAFFES
with ENGINE EAR, BRONZE
Sun Oct 11 |
BOB MOSES
Mon Oct 12 |
CAGE
Tue Oct 13 |
WILLIAM FITZSIMMONS
Wed Oct 14 |
MAUDLIN STRANGERS
with STRANGE NAMES
Thu Oct 15 |
NOBUNNY
Fri Oct 16 |
THE SHEEPDOGS
with RADIO MOSCOW, RANCH GHOST
Sat Oct 17 |
MAX SCHNEIDER
with KENZIE NIMMO, CALL ME KARIZMA
Tue Oct 20 |
HINDS
with PUBLIC ACCESS T.V.
Thu Oct 22 |
MATT NATHANSON
Fri Oct 23 |
OUGHT
with ACCORDION CRIMES
Sat Oct 24 |
HOLYCHILD
Sun Oct 25 |
COLONY HOUSE
with ELLIOT MOSS
Mon Oct 26 |
KING DUDE
with DRAB MAJESTY
Thu Oct 29 |
HALLOWEEN EP RELEASE PARTY: ONE FLEW WEST
with RUMOURS FOLLOW, SLOW CAVES, THE HOST CLUB
Fri Oct 30 |
THE HOOD INTERNET
Sat Oct 31 |
SMALL BLACK
with PAINTED PALMS
Tue Nov 3 |
HERE WE GO MAGIC
with BIG THIEF
Fri Nov 6 |
BEACH SLANG
with LITHUANIS, WORRIERS
Sat Nov 7 |
THE GOOD LIFE
Fri Nov 13 |
LOW
with ANDY SHAUF
Wed Nov 18 |
REPTAR
Thu Nov 19 |
DAVID RAMIREZ
with LIZA ANNE
Sat Nov 21 |
DARWIN DEEZ
Thu Dec 3 |
HEALTH: Death Magic Tour 2015
Wed Dec 9 |
BEAT CONNECTION

Fri Dec 13 | Twist & Shout and KGNU Present | 21+

PATTERSON HOOD OF DRIVE-BY TRUCKERS (NIGHT ONE)  

T. HARDY MORRIS

Doors open at 8pm   |   Show starts at 9pm   |   On Sale Fri 8/23 | $20 In Adv | $25 Day Of | 21+





Back in January, worn out from having spent a year on tour and facing a new album’s release and another year spent mostly on a bus, away from the comforts of home and family, I decided to try to write a book. I had made a couple of stabs in that direction before (as well as a couple of screenplays) but had so far failed to complete one. The thing is, I love to write on the road. I write most every day out there. It’s usually not songs, as completing a song amid all of the noise, distractions and music blasting on the bus is very difficult (I do often start songs there that get finished later) but writing non-musical compositions comes pretty easy for me out here and it sure passes the time. Beside, I had an idea for a story I wanted to write and it started coming very easily. By our third month on the road I already had a pretty firm outline of what I wanted and several chapters that I felt really good about.

I was calling my book “Slam Dancing in the Pews”, named after a cassette that Virgil Kane had recorded in 1992 when Cooley and I were playing shows under that name after the break up of Adam’s House Cat. The book was basically half-assed fictionalization of that very turbulent period of my life. I was 27, my band broke up, I got divorced and left my hometown to live in Memphis. My car got stolen, our band’s truck got stripped and I fell in love. I fell out with my family (who I was very, very close to) and had my heart broken. I seriously pondered killing myself several times but instead wrote literally over 500 songs in a three-year period. A time when I reinvented myself artistically and experienced a sort of rebirth that led to a lot of the things I have done in the last two decades.

My book would sort of tell that story, but interspersed with lyrics from that period of my life, as well as new song lyrics either set in that time or from the point of view of various characters from the book. The structure would be chapter / song / chapter / song and so on. If the book was coming fast, the songs were coming even easier. Then the booked stopped coming. Someday I may want to tell that story, but timing is everything and this just isn’t the time for it.

The songs, however continued to pour out, taking a few left turns and then morphing into its own thing. Most of this album comes from that short period of time between February and June of 2011. The songs begin in the period that the book was set in, but don’t end there, as they really just were the impetus for writing about the life I am living now and contrasting it with the troubled times of two decades ago.

I called it Heat Lightning Rumbles in the Distance and decided that spring to record it as a solo album. I could clearly hear in my head exactly how I wanted every song to sound and made a list of who I wanted to play on each one. It is in some ways the most personal album I’ve ever made. There has always been a lot of me in all of the albums we’ve done, but usually semi-disguised as character sketches and stories, but the first person narrative in this one is pretty firmly rooted in autobiography, albeit in two dramatically differing time periods.

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