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Sun Aug 28 |
SUNDAY BBQ SERIES
with ZERO FOUND, THE BEEVES, SURRENDER SIGNAL, THE TENS, ORKA ODYSSEY
Tue Aug 30 |
ALL CHIEFS
with TYTO ALBA, THE PATIENT ZEROS
Wed Aug 31 |
DENVER MEATPACKING COMPANY
with TELEVISION GENERATION, STEREOSHIFTER
Thu Sep 1 |
HAPPY HOUR BINGO
with Win Tix To: The Mowgli's, Local Natives, Saint Motel, Spill Canvas, Warpaint, The Temper Trap, Ben Sollee, Band of Skulls, Junior Boys
Thu Sep 1 |
ROSE'S PAWN SHOP
with MATT ROUCH & THE NOISE UPSTAIRS, THE GHOST OF JOSEPH BUCK
Fri Sep 2 |
SOLO YOUNG
with SUPREME ACE, PLANES, ROB4REAL, TURNAONETAKE, U.T.I.C.A. (UNDENIABLY THE ILLEST CAT AROUND)
Sat Sep 3 |
WESLEY WATKINS (Of The Other Black)
with KID ASTRONAUT
Sun Sep 4 |
SUNDAY BBQ SERIES
with CREATURE CANOPY, WATER AEROBICS
Tue Sep 6 |
GENTLE SPIRIT
with KINESICS, DYSLEXIA
Wed Sep 7 |
MIRAH
with LILLIAN, LAURA GOLDHAMER
Fri Sep 9 |
ANDY FRASCO AND THE UN
with BOTSOUL
Sat Sep 10 |
PURPLE
with KISSING PARTY, RIPRATS, THE CORNER GIRLS
Sun Sep 11 |
SUNDAY BBQ SERIES
with BURN IT BLUE, TIMBER, WOOD BELLY
Mon Sep 12 |
THE NEW REGIME
Tue Sep 13 |
JARED & THE MILL
with EDISON
Wed Sep 14 |
HIGHASAKITE
with POET'S ROW
Thu Sep 15 |
KHRUANGBIN
Fri Sep 16 |
JIMKATA
Sat Sep 17 |
CAVEMAN
with CHEERLEADER
Sun Sep 18 |
CHROME SPARKS
with ROLAND TINGS
Tue Sep 20 |
METASOTA
with TEK, BIG WIZ, AQUAFRESH, MEGATRON, DJ RAYTARD, RUVO
Wed Sep 21 |
SILVER SNAKES
Thu Sep 22 |
KREWELLA
Fri Sep 23 |
CASS MCCOMBS BAND
with BIG SEARCH
Fri Sep 23 |
AGENT ORANGE
with COUNTERPUNCH
Sun Sep 25 |
THANK YOU SCIENTIST
Mon Sep 26 |
PORCHES
with JAPANESE BREAKFAST, RIVERGAZER
Fri Sep 30 |
THE SHADOWBOXERS
Sat Oct 1 |
IAN MOORE
Sun Oct 2 |
THE GODDAMN GALLOWS
with GALLOWS BOUND
Tue Oct 4 |
WHITE REAPER
Wed Oct 5 |
THE WEEKS
with COLD FRONTS
Thu Oct 6 |
A TRIBE CALLED RED
Fri Oct 7 |
A TRIBE CALLED RED
Sat Oct 8 |
CYMBALS EAT GUITARS
with FIELD MOUSE, WILD HONEY
Mon Oct 10 |
SEAN HAYES
with CORY MON, TIM CARR
Fri Oct 14 |
RACHEL YAMAGATA
Sat Oct 15 |
THE GARDEN
with SO PITTED, HEYROCCO
Tue Oct 18 |
TOBACCO
with HIGH TIDES, ODONIS ODONIS
Fri Oct 21 |
THE FELICE BROTHERS
Sat Oct 22 |
TRUE WIDOW
with LOWLANDS
Sat Oct 29 |
HAYDEN JAMES
with ELDERBROOK, RUMTUM
Tue Nov 1 |
PAPER ROUTE
with HALFNOISE
Wed Nov 2 |
QUINN XCII
Fri Nov 4 |
DAVID RAMIREZ
Sat Nov 5 |
SUNFLOWER BEAN
with THE LEMON TWIGS
Sun Nov 6 |
SALES
with TANGERINE
Sat Nov 12 |
K THEORY
Sat Nov 19 |
THE JEZABELS
Sun Nov 20 |
ADAM TORRES
Tue Nov 29 |
BENJAMIN FRANCIS LEFTWICH

Mon Dec 16 | KBPI Presents | 16+

BEWARE OF DARKNESS  

DISGRACE THE TRAITOR

Doors open at 8 PM   |   Show starts at 9 PM   |   $5 EARLY BIRD | $10 ADV | $12 DAY OF SHOW





$5 EARLY BIRD TICKETS ON SALE FRI NOV 8TH!!!

Out now on Bright Antenna Records, Beware of Darkness’ (Kyle Nicolaides, Tony Cupito, and Daniel Curcio) debut full-length Orthodox is a musical assault—filled with squealing guitars, barbed hooks, and timeless glam posturing. At first listen, the album is a mindless good time—aimed somewhere between the gut and dirty dive bar.  It is not, however, a thoughtless endeavor.

“No one asks why you do things,” muses frontman Kyle Nicolaides. “Why do you love what you love? I had to ask why I want to do this. Music, you can totally scrape by without thinking about it, if that makes sense. You can half-heartedly write songs and have success at it.”

Weaned on a heady blend of The Beatles and Led Zeppelin, putting thought into music has always come easily to Nicolaides. However it wasn’t until he met bandmate Tony Cupito—the only other white guy at an all African-American R&B show—that Beware of Darkness began to take shape. In a stroke of luck—or perhaps fate—Cupito lead Nicolaides in finding bassist Daniel Curcio, who happened to be in town to meet a half-brother he never knew he had.

Recorded entirely in two weeks at the Sound Factory and Valley Recorder in Hollywood, CA,  executive produced by Dave Sardy and produced by Greg Gordon and Nicolaides, Beware of Darkness’ debut-full length is a heady meditation on death—and its implications for the living.

“I remember being thirteen or fourteen and being in school one day, and having that realization that I’m going to die,” he says. “That’s kind of why I started writing songs and working really hard in high school…It was weird, because there was a motivation for me. I had read an article about a local girl who had just died in a car crash. You realize, that man, it could happen any time.”

With the material written while Nicolaides was between the ages of 20 and 21, the musician found he had to go back to the past to understand his current work.

“The working title was Bleak,” he reveals. “It became Orthodox. I kept writing that word down in my journals. Once I finally looked up what it meant, it made sense and it fit. The first half means right and true, the second half means belief. I think the record is a lot about that too. About coming into awareness. You know that age where you come into awareness and you understand how the world works?  ‘This is how our food supply works?  This is how government works?’  For me, it’s about that kind of thing: self-awareness, what that is, realizing that you can lose people, realizing that friends disappear, and understanding how things work.”

Hard won realizations and cold comforts dot the album. “There’s one song called ‘Morning Tea,’ recounts Nicolaides. “It was the first song that I had written where I felt like I pulled a huge leech off my back. I felt twenty pounds lighter after I wrote it.”

However, nowhere is that sense of understanding in loss more evident than “All Who Remain,” a ballad  co-written by John 5 of Rob Zombie.

“We’ve never got a reaction to playing a song like that,” says Nicolaides. “The first time we played it live, we sound-checked with it in San Diego…the  popcorn guy ran up to us and said, ‘What is that song? That was insane! I want to hear it again!’ It’s ridiculous. We’ve never had a song like that. There are always a handful of people after ever song who come up and ask ‘What was that?’  It’s really special. It’s a slow jam and it’s about somebody dying that’s close to you. I’m excited for people to hear that.”

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