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Thu Dec 18 |
HAPPY HOUR BINGO - Win tix to Nathaniel Rateliff, Paper Bird, Lucero + more!
Thu Dec 18 |
HAERTS
Fri Dec 19 |
WILD HIGH ALBUM RELEASE
with TURNER JACKSON'S RED PLASTIC CUP, GREASE PONY
Sat Dec 20 |
THE GREAT GRIGSBY
with JERICHO SON OF NONE, TRAVELLERS MUSIC, INFINITE MINDZ, DJ BUNCHA GRIEF
Sun Dec 21 |
NICK THOMAS (The Spill Canvas)
with MY BODY SINGS ELECTRIC, JESSE R.S., LEASH OF FOXES
Mon Dec 22 |
BRONCOS VS. BENGALS
Tue Dec 23 |
BOTTLE ROCKET SCIENCE
with DRINK DRANK PUNK, FINGER PIE
Fri Dec 26 |
DIRTY//CLEAN 3 YEAR PARTY
with BEDROCKK, MOSIS, DAWN SAFARI, GUNKST, GLASSY
Sat Dec 27 |
THE KNEW
with CASEY JAMES PRESTWOOD & THE BURNING ANGELS, THE TRADE-INS, ROBERT LOUIS COLE
Sun Dec 28 |
BRONCOS VS. RAIDERS
Sun Dec 28 |
LUCIDA TELA
with DUST:ORBITER, GREEN DRUID, ASSAULT ON THE COMMONPLACE
Mon Dec 29 |
OREN L
with 750, COURIER & JAX ZEN, THE BLUNT INSTRUMENTS, VON DISCO
Tue Dec 30 |
IN THE WHALE (FREE SHOW)
with THE BALTIC, WE ARE NOT A GLUM LOT
Wed Dec 31 |
ROSE QUARTZ (EP RELEASE)
with SUNBOY, OKO TYGRA, DJ FANCY MATTHEW
Fri Jan 2 |
DILLON FORD & THE LOSERS (Farewell show)
with GRAND CENTRAL, THE BABYSITTERS, COOL DOGS IN THE KENNELS
Sat Jan 3 |
RADICAL ACTION
with COYOTE JUNCTION, HERE'S TO FIGHTIN' , TRANSFER STATION, THEM RAGGEDY BONES
Wed Jan 7 |
KALMIA
with THE RABBITS ATOM, CASEY WAYNE SMITH, PAUL KIMBRIS
Fri Jan 9 |
COLFAX SPEED QUEEN
with THE KINKY FINGERS, THE SAVAGE BLUSH, SPEED WOBBLE
Wed Jan 14 |
MINER
with BONNIE AND THE BEARD
Thu Jan 15 |
FURBIE CAKES
with MYTHirst, Felix FAST4WARD, SUFFERS AND BRISCO JONES
Sat Jan 17 |
INSTANT EMPIRE
with THE ROYAL, MONTONEROS
Wed Jan 21 |
SHANE TULLY & THE RAIN
with THE REAL FOLK BLUES, COLLIN KITTY, THE SABOTEURS
Thu Jan 22 |
MYKKI BLANCO
Fri Jan 23 |
JUKEBOX THE GHOST
with TWIN FORKS, SECRET SOMEONES
Sat Jan 24 |
WASTELAND HOP
with WHEELCHAIR SPORTS CAMP, THE OTHER BLACK
Tue Jan 27 |
KING TUFF
with AMERICAN CULTURE
Fri Jan 30 |
LAND LINES (ALBUM RELEASE)
with SNAKE RATTLE RATTLE SNAKE, PORLOLO
Sat Jan 31 |
MATES OF STATE
with FICTIONIST
Tue Feb 3 |
SAINT MOTEL
with THE MOTH AND THE FLAME
Wed Feb 4 |
BAD SUNS
with COASTS, MAUDLIN STRANGERS
Fri Feb 6 |
THE MOTHER HIPS
Fri Feb 6 |
MR. MIDAS
with TREV RICH, A.P., CATCH LUNGS, PLANES!, DJ DIF'RENT (DRUM SQUAD DJ)
Thu Feb 12 |
BODY LANGUAGE
Fri Feb 13 |
NO BS! BRASS BAND
Sat Feb 14 |
GIRAFFAGE
with SPAZZKID
Tue Feb 17 |
CATFISH & THE BOTTLEMEN
Wed Feb 18 |
WHITE ARROWS
Fri Feb 27 |
THE DISTRICTS
with PINE BARONS
Wed Mar 4 |
KAWEHI
Tue Mar 24 |
VIET CONG
Wed Mar 25 |
PUBLIC SERVICE BROADCASTING
Wed Apr 1 |
DISAPPEARS

Mon Dec 16 | KBPI Presents | 16+

BEWARE OF DARKNESS  

DISGRACE THE TRAITOR

Doors open at 8 PM   |   Show starts at 9 PM   |   $5 EARLY BIRD | $10 ADV | $12 DAY OF SHOW





$5 EARLY BIRD TICKETS ON SALE FRI NOV 8TH!!!

Out now on Bright Antenna Records, Beware of Darkness’ (Kyle Nicolaides, Tony Cupito, and Daniel Curcio) debut full-length Orthodox is a musical assault—filled with squealing guitars, barbed hooks, and timeless glam posturing. At first listen, the album is a mindless good time—aimed somewhere between the gut and dirty dive bar.  It is not, however, a thoughtless endeavor.

“No one asks why you do things,” muses frontman Kyle Nicolaides. “Why do you love what you love? I had to ask why I want to do this. Music, you can totally scrape by without thinking about it, if that makes sense. You can half-heartedly write songs and have success at it.”

Weaned on a heady blend of The Beatles and Led Zeppelin, putting thought into music has always come easily to Nicolaides. However it wasn’t until he met bandmate Tony Cupito—the only other white guy at an all African-American R&B show—that Beware of Darkness began to take shape. In a stroke of luck—or perhaps fate—Cupito lead Nicolaides in finding bassist Daniel Curcio, who happened to be in town to meet a half-brother he never knew he had.

Recorded entirely in two weeks at the Sound Factory and Valley Recorder in Hollywood, CA,  executive produced by Dave Sardy and produced by Greg Gordon and Nicolaides, Beware of Darkness’ debut-full length is a heady meditation on death—and its implications for the living.

“I remember being thirteen or fourteen and being in school one day, and having that realization that I’m going to die,” he says. “That’s kind of why I started writing songs and working really hard in high school…It was weird, because there was a motivation for me. I had read an article about a local girl who had just died in a car crash. You realize, that man, it could happen any time.”

With the material written while Nicolaides was between the ages of 20 and 21, the musician found he had to go back to the past to understand his current work.

“The working title was Bleak,” he reveals. “It became Orthodox. I kept writing that word down in my journals. Once I finally looked up what it meant, it made sense and it fit. The first half means right and true, the second half means belief. I think the record is a lot about that too. About coming into awareness. You know that age where you come into awareness and you understand how the world works?  ‘This is how our food supply works?  This is how government works?’  For me, it’s about that kind of thing: self-awareness, what that is, realizing that you can lose people, realizing that friends disappear, and understanding how things work.”

Hard won realizations and cold comforts dot the album. “There’s one song called ‘Morning Tea,’ recounts Nicolaides. “It was the first song that I had written where I felt like I pulled a huge leech off my back. I felt twenty pounds lighter after I wrote it.”

However, nowhere is that sense of understanding in loss more evident than “All Who Remain,” a ballad  co-written by John 5 of Rob Zombie.

“We’ve never got a reaction to playing a song like that,” says Nicolaides. “The first time we played it live, we sound-checked with it in San Diego…the  popcorn guy ran up to us and said, ‘What is that song? That was insane! I want to hear it again!’ It’s ridiculous. We’ve never had a song like that. There are always a handful of people after ever song who come up and ask ‘What was that?’  It’s really special. It’s a slow jam and it’s about somebody dying that’s close to you. I’m excited for people to hear that.”

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