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Thu Dec 18 |
HAPPY HOUR BINGO - Win tix to Nathaniel Rateliff, Paper Bird, Lucero + more!
Thu Dec 18 |
HAERTS
Fri Dec 19 |
WILD HIGH ALBUM RELEASE
with TURNER JACKSON'S RED PLASTIC CUP, GREASE PONY
Sat Dec 20 |
THE GREAT GRIGSBY
with JERICHO SON OF NONE, TRAVELLERS MUSIC, INFINITE MINDZ, DJ BUNCHA GRIEF
Sun Dec 21 |
NICK THOMAS (The Spill Canvas)
with MY BODY SINGS ELECTRIC, JESSE R.S., LEASH OF FOXES
Mon Dec 22 |
BRONCOS VS. BENGALS
Tue Dec 23 |
BOTTLE ROCKET SCIENCE
with DRINK DRANK PUNK, FINGER PIE
Fri Dec 26 |
DIRTY//CLEAN 3 YEAR PARTY
with BEDROCKK, MOSIS, DAWN SAFARI, GUNKST, GLASSY
Sat Dec 27 |
THE KNEW
with CASEY JAMES PRESTWOOD & THE BURNING ANGELS, THE TRADE-INS, ROBERT LOUIS COLE
Sun Dec 28 |
BRONCOS VS. RAIDERS
Sun Dec 28 |
LUCIDA TELA
with DUST:ORBITER, GREEN DRUID, ASSAULT ON THE COMMONPLACE
Mon Dec 29 |
OREN L
with 750, COURIER & JAX ZEN, THE BLUNT INSTRUMENTS, VON DISCO
Tue Dec 30 |
IN THE WHALE (FREE SHOW)
with THE BALTIC, WE ARE NOT A GLUM LOT
Wed Dec 31 |
ROSE QUARTZ (EP RELEASE)
with SUNBOY, OKO TYGRA, DJ FANCY MATTHEW
Fri Jan 2 |
DILLON FORD & THE LOSERS (Farewell show)
with THE BABYSITTERS, COOL DOGS IN THE KENNELS
Wed Jan 7 |
KALMIA
with THE RABBITS ATOM, CASEY WAYNE SMITH, PAUL KIMBRIS
Fri Jan 9 |
COLFAX SPEED QUEEN
with THE KINKY FINGERS, THE SAVAGE BLUSH, SPEED WOBBLE
Wed Jan 14 |
MINER
with BONNIE AND THE BEARD
Thu Jan 15 |
FURBIE CAKES
with MYTHirst, Felix FAST4WARD, SUFFERS AND BRISCO JONES
Sat Jan 17 |
INSTANT EMPIRE
with THE ROYAL, MONTONEROS
Wed Jan 21 |
SHANE TULLY & THE RAIN
with THE REAL FOLK BLUES, COLLIN KITTY, THE SABOTEURS
Thu Jan 22 |
MYKKI BLANCO
Fri Jan 23 |
JUKEBOX THE GHOST
with TWIN FORKS, SECRET SOMEONES
Sat Jan 24 |
WASTELAND HOP
with WHEELCHAIR SPORTS CAMP, THE OTHER BLACK
Tue Jan 27 |
KING TUFF
with AMERICAN CULTURE
Fri Jan 30 |
LAND LINES (ALBUM RELEASE)
with SNAKE RATTLE RATTLE SNAKE
Sat Jan 31 |
MATES OF STATE
with FICTIONIST
Tue Feb 3 |
SAINT MOTEL
with THE MOTH AND THE FLAME
Wed Feb 4 |
BAD SUNS
with COASTS, MAUDLIN STRANGERS
Fri Feb 6 |
THE MOTHER HIPS
Fri Feb 6 |
MR. MIDAS
with TREV RICH, A.P., CATCH LUNGS, PLANES!, DJ DIF'RENT (DRUM SQUAD DJ)
Thu Feb 12 |
BODY LANGUAGE
Fri Feb 13 |
NO BS! BRASS BAND
Sat Feb 14 |
GIRAFFAGE
with SPAZZKID
Tue Feb 17 |
CATFISH & THE BOTTLEMEN
Wed Feb 18 |
WHITE ARROWS
Fri Feb 27 |
THE DISTRICTS
with PINE BARONS
Wed Mar 4 |
KAWEHI
Tue Mar 24 |
VIET CONG
Wed Mar 25 |
PUBLIC SERVICE BROADCASTING
Wed Apr 1 |
DISAPPEARS

Sun Aug 26 | Left Hand Brewing Presents...

BROWN BIRD (BBQ)   6pm

JOHN COMMON FEAT. JESS DeNICOLA @ 5pm
THE GHOST OF JOSEPH BUCK @ 4pm
FOXWING HOLLOW @ 3pm
BIRDS OF A FEATHER @ 7pm
MATHIAS & THE CROOKED STREETS

Doors open at 1pm   |   Show starts at 2pm   |   $10.00 In Adv | $12.00 Day Of Show





Brown Bird is better listened to in a room made of wood. Of course, it is easy to download the code and listen to the band on small computer speakers, but what is the point? You miss the warm layers of guitar, banjo, violin, double bass, cello, and bass drum (wooden rim) which hangs thick over their latest full-length effort, "Salt for Salt".

Recorded live to tape in Pawtucket, RI, "Salt For Salt" is the first album by Brown Bird to capture the intense energy of the duo's live show, surging in waves that often swell into high-spirited, foot-stomping madness. David Lamb's lyrics are as well-written as they are emotionally intelligent, thankfully avoiding the pitfalls of the wish-wash known as "modern-folk" or "singer-songwriting". Lamb and his partner MorganEve Swain write simply, and the record is eerily sparse at times - a tambourine, a bass drum and the cello often the sole accompaniement to Lamb's (what a name) cracked, wood-smoke voice.

Brown Bird are also not afraid to write experimentally - "Ebb and Flow" and "Shiloh" (the latter a longer, entirely instrumental track) each boast melodies worthy of a dervish, the melodic structure reminiscent more of Turkish or Greek rebetika than old-time or bluegrass. Lamb and Swain work beautifully together, with his banjo providing a backbone to a fiddle break, her harmonies a lonesome echo of the melody. But Brown Bird also know too much to be pure romantics; Lamb's continual reference to ships clearly come from his years spent working at the shipyard in Warren, RI, just as their arrangements well only from a deep knowledge of the American folk tradition.

Paring down from five musicians on their last album to the duo of Lamb and Swain on "Salt For Salt" resulted in some necessary instrument changes - Swain, a lifelong violinist, spends most of the album on cello and double bass, instruments she picked up in the past two years. Lamb has a kick drum and woodblock/tambourine rigged to a second pedal in front of him, using his whole body and voice to carry the rhythm and melody simultaneously. This new configuration propels each song forward with a blur of hands, feet and voices.

A cantankerous and drafty two-man ship stationed in Providence, RI, Brown Bird plays original, traditional American music in the best sense possible. It is music that comes from a context but is not afraid of the context: a living root with a view towards the leaves.

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