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Fri Oct 31 |
SECRET CHIEFS 3
with ATOMIC APE
Sat Nov 1 |
SAFE BOATING IS NO ACCIDENT
with HOOPER, MOON HANGER, RADICAL ACTION
Sun Nov 2 |
I AM THE ALBATROSS
with DISGUISE THE SILENCE, THEY CALL ME HERO, STRANGE GIRL
Sun Nov 2 |
BRONCOS VS. PATRIOTS
Tue Nov 4 |
BEAR HANDS
with FENCES
Wed Nov 5 |
MEET THE GIANT
with WANDERING NATIVES, BURCHAM
Thu Nov 6 |
IMAGINARY POINTS
with MODUS AUDIO, THE COUCHBOMBS, MATCHETTE
Fri Nov 7 |
STREETS OF LAREDO
with LINE & CIRCLE, STRAWBERRY RUNNERS
Sat Nov 8 |
JUDAH & THE LION
with LITTLE CHIEF, PHILLIP MARK
Sun Nov 9 |
BRONCOS VS. RAIDERS
Mon Nov 10 |
SOHN
with WET
Tue Nov 11 |
MELANIE MARTINEZ
with MIKE SQULLANTE
Wed Nov 12 |
PURLING HISS
with MALE BLONDING, TYTO ALBA
Thu Nov 13 |
FIFTH VEIL
with MURDER THE CAT, DYKOTOMY, SIGNS & SIGNALS
Fri Nov 14 |
VETTA STAR EP RELEASE
with RUMOURS FOLLOW, MONROE MONROE, TYLER GLASGOW
Sat Nov 15 |
BIRCH STREET
Sun Nov 16 |
BRONCOS VS. RAMS
Thu Nov 20 |
NEULORE
with THE GHOST OF JOSEPH BUCK, VATICAN VAMPS
Fri Nov 21 |
J MASCIS (NIGHT ONE)
with LULUC
Sat Nov 22 |
J MASCIS (NIGHT TWO)
with LULUC
Sun Nov 23 |
BRONCOS VS. DOLPHINS
Sun Nov 23 |
SALLIE FORD
with JOBLESS
Tue Nov 25 |
MINI MANSIONS
with THE OUTFIT, FLUORESCENT PHOBIA
Sun Nov 30 |
BRONCOS VS. CHIEFS
Tue Dec 2 |
MY BRIGHTEST DIAMOND
with CRYSTAL GHOST
Wed Dec 3 |
ROADKILL GHOST CHOIR
with THE YAWPERS, VON STOMPER
Fri Dec 5 |
RESIDUAL KID'S ABOMINABLE SNOW JAM
with BUD BRONSON & THE GOOD TIMERS, NED GARTHE EXPLOSION, SPEED WOBBLE
Sat Dec 6 |
COLLEGE
with TRUE LUST, CACHEFLOWE
Sun Dec 7 |
BRONCOS VS. BILLS
Sun Dec 7 |
THE BALLROOM THIEVES
Fri Dec 12 |
SHADY ELDERS (ALBUM RELEASE)
with PLUM, MALE BLONDING
Sun Dec 14 |
BRONCOS VS. CHARGERS
Thu Dec 18 |
HAERTS
Fri Dec 19 |
WILD HIGH ALBUM RELEASE
Sat Dec 20 |
THE GREAT GRIGSBY
Sun Dec 21 |
NICK THOMAS (The Spill Canvas)
with JESSE R.S.
Mon Dec 22 |
BRONCOS VS. BENGALS
Sun Dec 28 |
BRONCOS VS. RAIDERS
Fri Jan 23 |
JUKEBOX THE GHOST
with TWIN FORKS

Mon Nov 12 | Radio 1190 Presents...

METZ  

SCHOOL KNIGHTS
THEE DANG DANGS

Doors open at 8pm   |   Show starts at 9pm   |   $10.00 In Adv | $12.00 Day Of Show | 21+





There was a time, in recent history, when you needed to have at least twelve members to even be considered a band in Canada. It was nearly impossible to tour if you didn’t have access to some kind of personnel carrier, and making a record involved several years of tambourine overdubs. You know there were kids out there who just wanted to get in a van and play loud as hell through an Ampeg stack or a four-piece drum kit, but how could you call it a band if you didn’t even know a French horn player? By 2008, band membership had reached a critical mass. You’d go to a show and you might be the only person in the room who wasn’t playing an instrument. Hard times.

Thankfully, there are always a few naturally resourceful people who refuse to be intimidated or excluded from making their own wild racket in public. Alex Edkins, Hayden Menzies and Chris Slorach have been around long enough to know that if you can’t fit it in the van, it’s not worth bringing. METZ play like one brutally heavy instrument with three heads, slashing heavy-gauge strings, bending guitar and bass necks in weird unison, along with what is probably the loudest drumming you’ve ever heard. It’s a return to everything that’s good about loud, ecstatic live music; a frantic nod to Nation of Ulysses, Shellac, The Pixies, The Jesus Lizard, and Public Image Ltd. at their most vicious, while still carving out some heavy new business. They play the instruments, the amps, and the room.

Over the last three-and-a-half years, METZ have slayed in basements, skate shops, clubs, and festivals, sharing stages with Mission of Burma, Death from Above 1979, Archers of Loaf, Mudhoney, Oneida, Constantines, and NoMeansNo. I’ve seen a hundred jaws drop within the first four measures of their set. I once saw Alexander Hacke from Einstuerzende Neubauten approach Chris and rave about his bass tone.

It’s a formidable task to try and capture such a powerful live band on record. Luckily, Graham Walsh (Holy Fuck) and Alexandre Bonenfant were more than up for it. Isolating the band in an old barn for a week with a portable recording rig, Walsh and Bonenfant were not only successful in documenting the unrelenting live force of the band, but they also managed to add some new and staggering sonic textures to the recording. Waves of organic feedback and fuzzed-out drones build the classic tension that eventually drops into each track’s relentless, dissonant pulse. And somehow, the raddest thing about it all is the songwriting. It’s not just riffs. It’s something that some heavy bands don’t get, but METZ do really well—and they do it collectively. It’s a hell of an experience, listening to this thing.

With this, their debut album, METZ articulate with deafening clarity, what we’ve all known for some time: The world of good music needs a new power trio, and this is it.

METZ IN THE PRESS

 

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