Colorado Public Radio's OpenAir Presents
The Kinky Fingers, The Guestlist
Doors: 8:00 pm / Show: 9:00 pmLarimer Lounge
$10.00 - $13.00
This event is 16 and over
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.https://www.larimerlounge.com/event/1384331/
Haynes's powerful singing voice, first honed at Brownsville Baptist Church in Columbia, Louisiana at age 6, rings across every track. Davis's bass and Gabriel's playing propel every song with the grit, energy, and rawness of punk, the feeling of soul, and occasionally, a little jazz swing. The other Davis offers a clinic in guitar riffs, from swaggering blues to searing interstellar leads.
Recorded at Dial Back Sound studios in Mississippi, Get Gone is all live takes, a portrait of the Seratones in their element. Add the soul and swagger of a juke joint with the electricity coursing through a basement DIY show, and you'd begin to approach the experience of seeing this foursome live. The well-paced, multi-faceted set showcases a band dedicated to sonic exploration. "Don't Need It," which opens with a muscular swing and tight guitar lines, builds into a monster finish with a nasty corkscrew of a guitar line. "Sun," a brawny thrasher, courses with huge, raw voltage riffs. "Chandelier," a mid-tempo burner and vocal workout by Haynes, goes from croon to a crescendo that would shake any crystals hanging from the rafters.
Shared history in the city's music scene brought the Seratones together a few years ago. All four had played together with one or another in various local punk bands, bonding through all-ages basement shows, gigs at skate parks and BBQ joints, and late nights listening to jazz and blues records. In a city of multiple genres, no fixed musical identity and a flood of cover bands, these adventurous musicians carved out their own path, personifying the do-it-yourself ethos. The group was quickly recognized after forming, winning the Louisiana Music Prize in 2013.
"Shreveport is always shifting its identity," says Haynes. "You can do a lot of different things when it seems like every band is its own genre."
Seratones's music, created with collaborative songwriting and spontaneous creativity, is certainly their own, due perhaps in part to Shreveport's unique sonic geography. The city sits at a nexus roughly equidistant from Memphis soul, Mississippi Delta Blues, and New Orleans jazz, with Texas swing located just over the nearby state border. The band's sound draws from those touch points and more, ranging from Black Sabbath's Paranoid to Kind of Blue. They'll happily connect the dots between Ornette Coleman and Jello Biafra.
Seratones have different names for the amalgamation of styles found on their debut: Their own "expression of freedom," music that's "all about waking people up," a safe space to feel what you want. However you choose to describe it, Get Gone is unexpected and unbowed, a head-snapping showcase of the twin pillars of Southern music, restlessness and resourcefulness.
by Patrick Sisson
Mostly stemming from roots in the blues, they have crossed many different genres and styles. Josh starting writing songs after the passing of his father in 2011. He wrote 40+ songs in a garage in the mountains of Colorado, came out of his reclusive state and formed Ashen Embers. After they put out an album, two members left to travel longterm and Josh developed serious medical issues that have not ceased but have inspired many songs.
After calling the band quits, Josh began to play solo. He then joined back with Cameron Wyman from Ashen Embers on bass. Cameron's friends from jazz school began jumping on board with the band like Zach Holcomb, a local coffee roaster and freelance jazz pianist. Then they had chosen a drummer from school, Tate Ignelzi. Ignelzi has been involved in several projects including : Drumming/producing with John Runnels, Signel-Z, Lily Fangz, and D-stylz. The band quickly started playing shows after the four first heard Josh's tunes in late 2013. Then, they added Eric Estrada on trumpet and Kyle Videtzky playing the saxophones.
Tate, Cameron and Josh live in a shanty ramblin' house ("The Bloodswamp") in downtown Denver that is scheduled to soon be demolished. They put on shows in the backyard where they built a crumbling, wooden stage next to graffiti'd walls, an abandoned house and a strangers boat. They have noise complaints to prove it.
With their new studio album coming out in the late spring, The Guestlist is pushing boundaries of the group's sound. They have partnered with multiple different names in Denver's rapidly expanding music scene (soon to be disclosed), and are trying to spread the passion they feel about life, music, class, as well as politics across the rocky, white and purple mountains and beyond.
2721 Larimer St.
Denver, CO, 80205