Larimer Lounge Presents
PARTYBABY + potty mouth
Tennis System, Kissing Party
Doors: 7:00 pm / Show: 8:00 pmLarimer Lounge
$12.00 - $15.00
This event is 16 and over
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.https://www.larimerlounge.com/event/1419358/
One year after their formation, the band recorded a 12" vinyl EP, entitled 'Sun Damage,' released through three small, independently-run labels. 'Sun Damage' garnered the attention of Pitchfork, who called the six-song EP an "an impressive, no-filler debut," as well as local big-hitters The Boston Globe, who named Potty Mouth one of the top five indie-rock bands to watch in 2013.
In 2013, Potty Mouth signed with Brooklyn-based indie label Old Flame Records to release their debut full-length album, 'Hell Bent.' NPR music premiered the album, calling it "one of the best rock albums of the year." As Potty Mouth garnered national attention, the band began to tour more extensively, co-headlining their first full US tour with Perfect Pussy and Swearin' in summer 2014, as well as supporting artists like Waxahatchee and Juliana Hatfield.
On August 21, 2015, the band debuted a five-song self-titled EP under their own imprint, Planet Whatever Records. Produced by John Goodmanson (Sleater-Kinney, Blonde Redhead, Bikini Kill) at London Bridge Studios in Seattle, the new EP shows off a new level of both songwriting and production for the trio. Refreshingly candid, singer-guitarist Abby Weems weaves sarcasm and melancholia into a passionate performance held together by drummer Victoria Mandanas and bassist Ally Einbinder's solid foundation. The crisper direction emphasizes the work the triad has put in since 2013's 'Hell Bent,' with more vocal harmonies and bigger production, recalling the sounds of influences like Veruca Salt and Nirvana.
One listen is all it takes to comprehend why: Tennis System are masters of unhinged, lo-fi psychedelia, laced with the inescapably pop DNA of Jesus and Mary Chain, Nirvana and Ride. Behind the sweat-drenched performances, behind the Orange amps and squalling anthems is a coolly leather-clad trio, composed of front man Matty Taylor, drummer Hector Gomez, and bassist Zach Bilson. Arriving at the current lineup, however, was spirit quest that took Tennis System from one coast to the other: It was in gritty Washington, D.C. that a young Taylor steeped like tea in the music of Fugazi and Bad Brains, Black Tambourine and Nation of Ulysses. He decamped for Los Angeles, where denizens Gomez and Bilson joined the band, propelling the band forward as a full-fledged L.A. band.
Though Tennis System has shared bills with the likes of Ty Segall, Wavves, Japandroids, Pains of Being Pure at Heart, Mark Gardner and Beach Fossils, and worked with Jeff Zeigler of Uniform Recording (Kurt Vile, War on Drugs, Nothing) and Fred Kevorkian (White Stripes, Pavement, Sonic Youth, the National) since its founding in 2009, life on the best coast has only served to raise its profile: In the past year, crowds at Filter Magazine's Culture Collide festival, Austin Psych Fest, L.A.'s iconic Part-Time Punks showcase and South by Southwest have begun to bear witness to Tennis System's slash-and-burn live shows.
After 2011's much blogged-about self-released album, "Teenagers" (and its stunner of a single, "Hey We Tried"), the band returns in the fall of 2014 with "Technicolour Blind," the appropriately named, heady fever-dream of a new album that has been a year in the making for Tennis System. Its tracks, including "Technicolour Blind" "Memories & Broken Dreams" and the sparkling, anthemic "Dead Honey" are melodic departures from the gritty, fuzz-washed tunes of yore; rather, Los Angeles life, with its thrilling beauty and starkly menacing underbelly, has left Tennis System sun-bleached and wary, and left their music imbued with the peculiar patina of a rough-and-tumble circumstance. The guitars still squeal, but listen closely: Taylor's lyricism bears unexpected wisdom and woe. Recorded with Ulysses Noriega (The Wedding Present, Ben Folds, The Offspring) mixed by Drew Fisher (The Melvins, Bleached, Babies) and mastered by John Greenham (Ice Cube, Aesop Rock, Chuck Prophet), "Technicolour Blind" is poised to be Tennis System's breakout effort, even if fans knew it all along.
Kissing Party arrived on the Denver scene with their first official release, Rediscover Lovers. The album drew high praise and earned them 3rd best album in the Denver Post for 2007. National press began to take notice with release of their second album, The Hate Album. Kissing Party was featured in Filter magazine, Three Imaginary Girls, and topped many college radio stations' lists for best album. Over the past couple of years, Kissing Party has spent the majority of their time touring in support of "The Hate Album" which has taken them cross country, from Boston to Seattle. The band finally took a break this year and went into the studio to record their most promising release to date, "Wasters Wall."
"Kissing Party has nearly perfected what it was already doing best: making straight ahead, two-minute pop songs."
-The Onion AV Club
"Without question, you will be hooked once you hear them."
"Kissing Party makes me want to dance and drink and dance some more."
-My Backpages ( Twist & Shout Records )
2721 Larimer St.
Denver, CO, 80205