INVSN’s latest album, The Beautiful Stories, is affecting people in ways that the band hoped for, but could not have fully anticipated. The world that this collection of music is being released into has been shaken, but itis not yet fully shattered. Itis wounded, but hopeful for recovery. It has been taken down a notch or two by grief, and strife, and discord, but as with many other grim points in history - new lows often lead to greater highs. The Beautiful Storiesis the soundtrack toall of this, and it’s exactly what music lovers need right now as they attempt to make sense ofanincreasingly maddening world. Set tobe released on June 9 via Dine Alone Records, this is the follow-up to the band’s self-titled 2013 album. While it’s their second album under the name INVSN, the members (Dennis Lyxzen - Vocals, Sara Almgren - Bass & Vocals, Anders Stenberg - Guitar & Keyboards, Andre Sandström - Drums & Percussion, Christina Karlsson - Keyboards & Vocals) have a his-tory that dates back as far as 1999 when they recorded and performed under the name Lost Patrol Band. “Me, Andre, and Anders have been playing together for many years now,” Dennis Lyxzen said during a call from his home in Sweden to discuss the new release. “Wereleased two albums, He-la Världen Brinner (2010), Saker Som Jag Sagt Till Natten (2011), under the name Invasionen, and then changed itto INVSN in 2013. This one (The Beautiful Stories) is the first one we’ve done only in English.”Prior to forming INVSN Dennis spent many years as the lead vocalist for Refused, and was also a key member of The (International) Noise Conspiracy. Sara Almgren, who joined the band in2011, was also a member of The (International) Noise Conspiracy aside from being in The Doughnuts - the first all-female straight-edge band in Sweden. Anders Stenberg is best known for being a touring member of Lykke Li’s band. Christina Karlsson has performed with Frida Selander, Tiger Forest Cat and Honungsvägen, and Andre Sandström bookends the overall hard-core discography of the group with his experience touring withDS-13, The Vicious, and UxVileheads. Coming from the backgrounds that they do you would expect the music of INVSN tobe harder than nails, but here they choose a more subtle path, wrapping difficult themes in beautiful melo-dies and songwriting, such as with the album’s first single, “Immer Zu,” which is used as an out-let for the women in the band to directly address the patriarchal society we’re all (regardless ofgender) living in and struggling against. Recorded with Adam “Atom” Greenspan, The Beautiful Storiesis what Dennis refers toas the band’s “first real attempt” and it touches upon many im-portant themes ranging from politics, to feminism. “The world is a really fucked up place right now so there is loads of stuff to make right,” Sara Almgren said via email when asked about the album’s themes. “Music has always been a way offighting back for me.”
Christina Karlsson Lundström (AKA, Kicki) added “What I think and what the songs stand for isnot that important, it's what you hear as a listener and how you reflect on yourself that matters. No matter what the issue is about, the important thing is that you can receive a message and make something good out of it.”Getting something transformative and emotionally repairing out ofThe Beautiful Storiesis a sure thing. Each listen reveals layers of hopefulness that canbe pulled from as needed. In times ofcrisis, music has always served as a healing balm and, as addressed in the second single, “I Dreamt Music,” this world may be devoid of meaning, but music will always mean something.
Dead Orchids is a three piece hailing from Denver Colorado. Sharing the sweet unique sounds of bands like The Cure, Flaming Lips, Massive Attack, and Interpol, Dead Orchids are busy carving out their own niche. The music can be described as an emotionally driven rollercoaster. Twisting and turning through peaks and valleys, the music shares healthy spoonfuls of dirty church organs, synth fuzzed out guitars, and pummeling bass lines. The percussion back bone is shared across the stage making for a rich visual, as well as a true stereo spread of the traditional rock drum kit.