Larimer Lounge Presents
The Ghost of Paul Revere
Matt Rouch & The Noise Upstairs, Whitacre
Doors: 8:00 pm / Show: 9:00 pmLarimer Lounge
$17.00 - $20.00
This event is 16 and over
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.https://www.larimerlounge.com/event/1603152/
The result is a sound that the Portland, Maine-based band describes as "holler folk," not because it involves a lot of hollering, per se, but because it invokes the rich communal tradition of field hollers, with their call-and-response melodies, sing-along hooks, and densely layered harmonies. That sense of musical camaraderie is essential to everything The Ghost of Paul Revere does, and nowhere is it more evident than their sophomore album, ''Monarch.'
The album builds on the success of the band's 2014 debut full-length, 'Believe,' and their 2015 EP, 'Field Notes Vol. 1,' which was recorded primarily in a single day at Converse's Rubber Tracks studio in Boston. The session was part of a prize package presented by the iconic Newport Folk Festival, which had invited the band to perform at the storied Rhode Island musical gathering earlier that year as part of a lineup featuring everyone from James Taylor and Jason Isbell to The Lone Bellow and Bela Fleck.
"The Monday before Newport we got a message saying to pack our bags and come on down," remembers Sherry. "We hadn't played much outside of Maine or started opening for any big acts yet at that point, and it was a hugely inspiring moment."
Word began to spread about the rowdy pickers from the north. The Boston Globe raved that they "create the type of music for which festivals are made," while No Depression said they "prove that superior roots music can come from anywhere," and Dispatch Magazine wrote that they possess not only "the chops, but the heart to reach their audience and leave an undeniable impression." Hitting listeners straight in the feelings has been the band's M.O. since its inception in 2011, and they've used their powerful stage show to convert the masses at every stop along their long and winding journey, which has included shared stages with artists like The Avett Brothers, The Travelin' McCourys, Brown Bird, The Revivalists, the Infamous Stringdusters, and more. The band sold out Port City Music Hall, Stone Mountain Arts Center, and the Strand Theater multiple times, won Best In Maine at the New England Music Awards, and capped off 2015 with an electrifying headline performance on New Year's Eve at Portland's State Theatre in front of 1,600 enraptured fans.
When it came time to record, 'Monarch,' though, the band knew they wanted to push the sonic envelope beyond the live-in-the-studio setup that had guided their previous efforts.
"Every other record has just been the three of us in a room with microphones until we got a take we liked," explains Sherry. "We approached this one differently. It was the first time we did a lot of arranging and writing in the studio. We decided we'd worry about learning how to present the songs live after we'd recorded everything instead of the other way around."
"It enabled us to get a lot more adventurous with our ideas," adds bassist/singer Sean McCarthy. "We wanted to do something new and explore where we could take the sound while still staying true to who we are."
The album opens with "Little Bird," a playful, infectious foot -stomper that blends blues and soul and roots and perfectly reflects the communal, inviting nature of the band's music.
Banjo player Max Davis takes over the songwriting and lead vocal duties for "Avalanche," an emotional anthem featuring one of the album's most lush arrangements along with driving drums from special guest Tony McNaboe (Ray LaMontagne, Rustic Overtones), while "King's Road" finds the band expanding their sonic palette to include strings and electric guitar, and "Honey Please" channels 60's R&B and Motown through old-school folk instrumentation. At the core of everything The Ghost of Paul Revere does, though, are their powerful, stop-you-dead-in -your-tracks harmonies. On songs like "Wild Child," "Welcome Home," and "Need Somebody," the band conjures up whole worlds of shimmering sonic beauty in the blending of their voices.
"The album follows this arc where it starts very bright-eyed and optimistic and then hits a turning point where it gets really dark," says Sherry, "like a relationship that starts beautifully and then grows sour. As we started to build the record and expand the sound, it had a place sonically and emotionally.”
By the end of the record, the song cycle reveals that traveling through the darkness is in fact a necessary step for positive growth. 'Monarch' closer "Chrysalides" evokes the imagery of metamorphosis, a transformation that represents rebirth and new beginnings.
"It's about what happens in that moment of metamorphosis and change," says Davis. "I was interested in combining different words into a new term that could capture that feeling, so 'Chrysalides' is a play on chrysalis. This was one of the first times that I allowed myself to bite into and really take advantage of that space in the writing."
If there's one takeaway from 'Monarch,' it's that change is inevitable. Lovers, families, friends, instruments, sounds; they all transform with time. The key to thriving and surviving in a challenging world is to embrace those transformations, to accept them not as endings but as fresh starts. What comes next? Only time can tell. One thing's for sure, though: by opening their hearts and souls with such artistic grace and humility, The Ghost of Paul Revere have created a rich, rewarding, passionate community, one that they can count on to join them for every step of the remarkable journey that lies ahead.
Born on the banks of the Saco River, brothers in all but name, the Ghost of Paul Revere is Maine's holler-folk band. A powerful, energetic, non-traditional American folk band that’s renowned for harmony fueled, heart-pounding performances full of songs with unique identities that remain undeniably the Ghost of Paul Revere.
Formed around childhood friends Max Davis, Sean McCarthy, and Griffin Sherry, joined by Matt Young on harmonica, the Ghost of Paul Revere played their first show together in 2011 at a tiny bar in Portland, Maine. Now, they play across the nation, bringing holler-folk into houses, bars, and music halls. They have shared the stage with the Avett Brothers, The Travelin’ McCourys, Brown Bird, Spirit Family Reunion, Darlingside, as well as members of Greensky Bluegrass, the Infamous Stringdusters, and Old Crow Medicine Show.
Their critically acclaimed, Billboard charting full length album Believe, as well as their two EPs North and Field Notes Vol. 1, have continually been the top selling local albums in Maine and New Hampshire for more than four years. The Ghost of Paul Revere has since sold out Port City Music Hall, Stone Mountain Arts Center, and the Strand Theater multiple times, won Best In Maine at the 2014 New England Music Awards, were an official showcase artist at Folk Alliance International 2015 and made their Newport Folk Festival debut in August 2015. They capped off 2015 with an electrifying headline performance on New Year's eve at Portland's State Theatre in front of 1,600 enraptured fans.
In 2016, amidst touring nationally, they returned to the studio to craft their second full length album, engineered by Jonathan Wyman at Halo Studios and mastered by Adam Ayan of Gateway Mastering. The album is expected to be released in early 2017.
"Robustly played, masterful amalgamation of bluegrass, folk, and gospel for the Millennial Generation... The Ghost of Paul Revere prove that superior roots music can come from anywhere." - No Depression
"Simply put, this band is one to see live... A gorgeous blend of bluegrass, folk and good old fashioned rock and roll... their performance takes on a boot-clacking brilliance that transforms each song into a full-on participatory event, sending an electric surge about the room that’s near impossible not to feel. Add to that a layered three part harmony coursing through each soulful song, and The Ghost of Paul Revere demonstrated they not only had the chops, but the heart to reach their audience and leave an undeniable impression as well. As the floorboards shook with each pounding stomp, one thing was certain: the band announced they had arrived, loud and clear." - Dispatch Magazine
"Simply put North is an album that shouldn't be missed. (It will) make even the most callous of individuals feel the unbridled joy of Holler-Folk." - Ear to the Ground Music
"A distinguished sound that only seasoned musicians can usually attain" - Portland Press Herald
"(The Ghost of Paul Revere) stole the show. I was so impressed with them. Their harmonies, stomping percussion, and vocal power were stellar... their songs progressed from mellow to powerhouse... their harmonies are superb and their songs have power." - whatbreesees.com
Hailing from Virginia and growing up near Washington, D.C., Matt Rouch has now landed in Denver, CO and is diligently working his way into the music scene. A long-time member of several bands on the east coast, Matt is taking on a new challenge - performing solo as a folk and country singer,
"I think entertaining and captivating an entire room solo is one of the most difficult things to do in music."
Matt's style is a blend of new and old, listing contemporary acts such as The Decemberists, The Tallest Man on Earth, Iron and Wine, and The Milk Carton Kids as major influences, he still draws upon well of the golden age of country for inspiration from artists like Johnny Cash, Loretta Lynn, and Conway Twitty. Matt's music is dynamic, he can enthrall a crowd with passionate soaring vocals with a loud twangy country number, then mellow things out with a quiet intimate folk song. Storytelling has always been a passion of Matt's and it has permeated through his music, songs of lost loves and new loves are as old as time, however the honesty and intimacy with which Matt approaches his songwriting is what gives his music its charm,
"I guess my favorite quote about writing goes something along the lines of 'great writing isn't better than average writing, it's just more honest' and I try to always remember that when I sit down to write a song."
Launched from Paul’s 5 year solo project, Whitacre has captivated new and existing fans through supporting nationally acclaimed artists like Birdtalker, JD McPherson and Boyd Tinsley (of the Dave Matthews Band) in their first 3 months as a band.
Whitacre won 1st place in a local music competition and was awarded studio time, which led to recording new music. Having their first single, Set Me Free, engineered by James McAlister (of Sufjan Stevens) was an early dream come true for the band. The song was quickly placed on Spotify’s Release Radar playlist growing their online presence.
2721 Larimer St.
Denver, CO, 80205